After her relatively demure debut (Up Through the Water, 1989), Steinke turns up the heat for this episodic tale of kinky sex and all-out depravity. It's a bad girl's memoir of her descent into the netherworld of San Francisco's Mission District. In two weeks, pretty young Jesse (a woman always ``attracted'' to people who make her feel ``inadequate'') explores the seamy underside of modern life. Doing penance for her ``bland suburban past,'' Jesse ``dabbles in perversity.'' Her lover, a handsome actor named Bell, is busy mooning for his former boyfriend, soon to be married in L.A. Insanely jealous, Jesse confides in Madam Pig, an obese alcoholic for whom she keeps house. The reclusive old dame encourages Jesse to seek out a woman named Madison, who Pig claims is her daughter. In fact, Madison, Pig's ex-lover, is now a junkie prostitute who works from a bar in the Mission. From the moment they meet, Jesse is drawn to her sense of ease and power, and moves into Madison's apartment. Jesse's adventures begin: a trip to a live peep show; anonymous sex in a darkroom; sex with Bell in the presence of a trollish homosexual; masturbation with a statute of Christ in an empty church; a hand-job to a homosexual in a gay bar; turning a few tricks at Madison's whorehouse; smoking opium in a den run by a hermaphrodite; and witnessing Madison penetrate a john so violently with her fist that he dies. This last finally convinces Jesse that all ``relationships'' are ``sinister, violent, even murderous.'' As if all this weren't laying it on a bit thick, Steinke has Bell commit suicide at the very moment of Kevin's wedding. That's totally in keeping with the reductive psychology everywhere evident in this silly, violent book. So self-consciously seeking ``that exquisite kick of perversity,'' this callow fiction comes off as something along the lines of a much more sincere American Psycho. All the more pathetic. Expect the usual brouhaha: condemnation, then increased sales.
Pub Date: Sept. 1, 1992
ISBN: 0-87113-479-9
Page Count: 176
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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