An epistolary picture book whimsically teaches geography, encouraging readers to follow the peregrinations of a life-sized wooden figure. When Tameka invites her Uncle Ray, a woodworker, to visit her in California, he responds that he can’t—but he will send a wooden doll he has fashioned in his stead. Oliver is duly propped up by the side of the road to hitch a ride (“California or bust,” reads his placard), a note in his backpack requesting that his conveyers send postcards back to his friend Ray. What follows is a genial romp that moves back and forth among Oliver, Ray, and Tameka, as Oliver makes his way across the country. The landscape orientation enhances sweeping full-bleed spreads; wordless double-paged openings feature Oliver against the changing American geography and alternate with postcards and letters written by his helpers to inform Ray of his progress. Cepeda’s (Why Heaven Is Far Away, 2002, etc.) cheerily energetic oils vary perspective and angle with abandon, giving the story a wonderful movement. Rendered over an acrylic underpainting; the bits of color that show through the oil coat also lend individual spreads terrific energy. The genius of the interaction between illustration and Pattison’s (The Wayfinder, not reviewed) deadpan postcard text is that the tension regarding Oliver—is he just a giant doll or is he “real”—is never really resolved. Pictured in Reno with a trio of gray-haired sisters from Kokomo, Oliver stands in the background by the craps table, holding up one wooden finger and looking on expressionlessly. The letter reads, “Mr. Oliver’s advice was very helpful. We won $5,000!” Who knows? Readers, like Tameka and those who encounter Oliver on his way, will be happy to choose to believe. Endpapers feature bright, complementary maps of the US: the front is empty, while the back is marked by dotted lines showing Oliver’s journey. All geography lessons should be this much fun. (Picture book. 5-8)
Pub Date: April 1, 2003
ISBN: 0-15-202329-1
Page Count: 56
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
Transitioning readers will feel accomplished and will surely look for future volumes to see what happens in Mia’s new life.
In this first volume of a new chapter-book series, a little girl named Mia discovers she’s a superhero.
Mia Macarooney is “a total disaster machine.” Everywhere she goes, chaos and mayhem follow (literally, in the case of Chaos—that’s the name of her cat). Except now she’s received an unusual letter, inviting her to the Program for In Training Superheroes, and she is totally bowled over. It turns out her accidents are often results of her superpowers, which she will learn to hone in her after-school hours at the PITS. As if that weren’t enough of a shock, Mia’s parents deliver the thrilling news that they are superheroes too! Her father is fluent in animal speech, and her mother can fly. Everything moves quickly at the PITS. Mia embarrasses herself in front of everyone during the entrance exam but ends up feeling supported and ready to learn…in the next volume. Freckled, brown-skinned, curly-fro–sporting Mia is an adorable protagonist. An overuse of exclamation points keeps the adrenaline running without a steady stream of exciting events—or even a climax and resolution—but with the large, bold type and the cute illustrations full of personality, emerging readers will be happy to read this book independently. What’s more exciting than that?
Transitioning readers will feel accomplished and will surely look for future volumes to see what happens in Mia’s new life. (Fantasy. 5-8)Pub Date: Dec. 18, 2018
ISBN: 978-1-5344-3270-3
Page Count: 128
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
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