by Daren Dean ‧ RELEASE DATE: Oct. 19, 2021
An often moving novel hampered by a tendency toward overwriting.
In Dean’s generational saga, two Missouri families become locked in a deadly feud.
It’s 1973, and Walker Scofield seems bewildered by the falling fortunes of his once-successful clan. The considerable land they once owned in Missouri is now gone, and his son, Merle, is an alcoholic who shows no signs of changing his ways. Walker can’t help but dolefully ask himself,“How had it all gone wrong?” Then Merle’s son, Troy, murders local Bobby Lee Phelps and burns his house down in retribution for taking up with his flirtatious wife, Alisha. Troy is sent to jail, but when he gets out,Alisha leaves town, terrified that he’ll hunt her down and continue his mission of vengeance. She moves in with John Wrenwood, an insurance salesman; however, she’s eventually disappointed when Troy doesn’t come looking for her, and she even feels a strange desire to return to him. Meanwhile, Raelyn Phelps, Bobby Lee’s teenage niece, runs away from home; she’s tired of feeling taken for granted by her parents, who treat her like a servant and routinely beat her. She doesn’t manage to make it very far from home, though, and ends up living with Troy, whom she fears but also finds ruggedly handsome; she also doesn’t care that he killed Bobby Lee, “since she had never particularly liked her uncle.” Word of their relationship travels quickly, setting the stage for a brutal reprisal from the Phelps family, who believe that Troy still hasn’t atoned for his crimes.
In the best parts of this novel, Dean writes with great restraint and intelligence, effectively depicting the downward spiral of the two families and engagingly showing how their grim destinies are intertwined. They all live amid the ruins of their collective descent, and Fairmont, Missouri, is vividly portrayed as a forlorn site of former promise. Furthermore, the author has a notable talent for creating atmosphere; a kind of sad predestination hangs above the Phelpses and Scofields like a darkened storm cloud, just waiting to finally burst. However, Dean’s prose style swings from poetically poignant to gratuitously overwrought, as when the narration notes that “Time had moved at a hectic pace, passing in a variegated rhythm under the malefic sun, and blurring under a series of red moons stretching over decades as time had plodded inexorably forward in a fog of partial recollections.” Another passage uses the term “Beowulfian” as an adjective, which is as pretentious as it is unclear. In addition, the book seems overpopulated with characters and subplots that are likely to ultimately overwhelm the reader. In short, the work sometimes feels as if it’s straining too much for literary heights. That said, the plot at the center of the novel, focusing on the decline and mutual acrimony of the two clans, is elegiacally sad, and many readers will find this to be a darkly enchanting novel—one that transports them to a world filled with despair but not quite empty of hope.
An often moving novel hampered by a tendency toward overwriting.Pub Date: Oct. 19, 2021
ISBN: 979-8487371959
Page Count: 382
Publisher: Cowboy Jamboree Press
Review Posted Online: June 13, 2022
Review Program: Kirkus Indie
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by Daren Dean
by V.E. Schwab ‧ RELEASE DATE: June 10, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by V.E. Schwab ; illustrated by Manuel Šumberac
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by V.E. Schwab
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PERSPECTIVES
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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