An intimate epic set in a virtual but deeply human world.
A great American novel set in the city of busted dreams.
If you’re seeking a setting for a big, bold, searching American novel, you could do a lot worse than Las Vegas. This sprawling, delightful debut book captures the artificial worlds within worlds in the casinos, the unnavigable streets just outside the strip, the big dreams, and the bad beats. It has a labor dispute, a big explosion, and an immigration saga. Most of all it has four vivid strivers at its core: Ray, a math whiz and online poker stud who loses his confidence and his nerve and tries to take on live, flesh-and-blood competition; Mary Ann, a model-turned–cocktail waitress who finds herself involved in a covert sabotage scheme against the house; Tom, who, like the author, comes from Rome and who finds himself enjoying what seems like a long spot of good luck; and Lindsay, a Latter-day Saint journalist with literary ambitions. Each character brings his or her own supporting players, many of whom aren’t what they seem. The central quartet is constantly in each other’s periphery, pushing the plot toward ever more dangerous places. The author, who spent several years as a professional poker player (both online and live), knows these people and their habitats, and he brings them to life in colorful, page-turning detail; even if you’ve been to Vegas, he makes you feel as if you’re seeing it with fresh eyes. Even when he gets a little too cute—for instance, footnoting Ray’s inside-poker jargon—there’s something around the corner to make it all worthwhile. This is a tremendously funny book, but it earns its laughs through human frailty. It makes fun of the powerful and the ridiculous, but even then there’s nothing easy. Everyone here is haphazardly seeking something better and different within themselves, and they look to find it in this virtual microcosm of America.
An intimate epic set in a virtual but deeply human world.Pub Date: April 6, 2021
ISBN: 978-1-63557-620-7
Page Count: 512
Publisher: Bloomsbury
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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