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BLACK CAMELOT'S DAWN & THE RETURN OF MADAME HOT TEMPER

A remarkable cast elevates this routine but socially aware thriller.

Armed hate groups target successful Black businesspeople and philanthropists in Myers’ thriller.

Donald Alexander and six of his friends and colleagues belong to a group dubbed Black Camelot by the media. They’re affluent Black people in New York City, coronated by the media as royalty (“Every story will brand them as the Kings, Queens, Princes, and Princesses of New York City. We follow their lives closely as the city’s royal family. We write about how they brought the spirit of Camelot to New York”). Not everyone feels that way; enraged white supremacist groups dispatch assassins to kill them. Fortunately, the covert Society of Protectors has its collective eyes on Black Camelot, and their highly skilled members thwart the assassination attempts. Meanwhile, Dawn Davis Stuart, also known as Madame Hot Temper, is back in NYC after serving a prison sentence for murdering her husband. She works with popular gossip reporter Luke McFlemming to expose a conspiracy surrounding Bronson Pagent, one of her late husband’s seedy real-estate rivals. This loathsome man, who has secret ties to a hate group, may be setting his sights on both Dawn and Luke. Myers’ follow-up to The Publisher’s Dilemma (2020) rallies its smart, able Black cast and aptly portrays the sad backlash from detestable racists. Unfortunately, Donald, along with fellow returning characters like Kwame Mills and Samantha Rivers, often fades in the background. Surprisingly, Luke garners most of the spotlight, despite the fact that he’s a tactless, self-absorbed, and disliked reporter who many other characters mercilessly (and tediously) mock or chastise. The white supremacists pose very little threat, as Society members easily take down a string of incompetent assassins in swift confrontations to which Donald and the others are typically oblivious. Still, the seven who make up Black Camelot are likably tenderhearted, and “The Voice,” who leads the Society, is delightfully mysterious.

A remarkable cast elevates this routine but socially aware thriller.

Pub Date: Dec. 5, 2020

ISBN: 9781087906645

Page Count: 350

Publisher: Fero Scitus

Review Posted Online: Oct. 5, 2023

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AN INSIDE JOB

A rather flat entry in a generally excellent series.

The 25th novel featuring Silva’s legendary protagonist.

During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.

A rather flat entry in a generally excellent series.

Pub Date: July 15, 2025

ISBN: 9780063384217

Page Count: 416

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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