Well-researched and brimming with intrigue, Bullock’s comprehensive study not only makes the work of scores of musicians...
An encyclopedic look at the lives of formative Western LGBT musicians and performers.
From the acclaimed British biographer of Florence Foster Jenkins (2016, etc.) comes a sweeping overview of LGBT musicians from both sides of the Atlantic who have had a pivotal influence on recorded music. Bullock argues that while the “LGBT community has spent over 100 years pioneering musical genres and producing some of the most lasting and important records of all time…far too many LGBT musicians have seen their stories ‘straight-washed’ or completely brushed under the carpet.” Turning the spotlight on modern creators of popular music, the author presents the struggles and triumphs of gifted artists who paved the way in the realms of pop, punk rock, folk, and disco, noting how “LGBT people were there as jazz gestated” and “in the maternity ward during the birth of the blues.” Fans looking for ribald details from the lives of gay pop idols like Freddie Mercury, Elton John, Boy George, and Dusty Springfield won’t be disappointed, but it is Bullock’s bringing to light more hidden stories, like those of Alberta Hunter, Ma Rainey, or jazz pianist Tony Jackson, and his close historical examination of queer performative movements that make the book compelling. The author calls as much attention to the private lives of these gifted, often closeted musicians, like Little Richard—the song “Tutti Frutti” originally described anal sex between men—as to their impact on their genre and later artists like David Bowie. Particularly powerful is the story of Wendy Carlos, a path-breaking inventor of the synthesizer and collaborator on the soundtracks of A Clockwork Orange and The Shining, whose work not only introduced the disco sound, but, with Bob Moog, helped make the equipment affordable. Born in 1939, Carlos underwent gender reassignment surgery in 1972 and found the public reaction to her revelation in the late 1970s to be “amazingly tolerant.”
Well-researched and brimming with intrigue, Bullock’s comprehensive study not only makes the work of scores of musicians sing anew; it also demonstrates how the pendulum of acceptance can swing from era to era.Pub Date: Nov. 21, 2017
ISBN: 978-1-4683-1559-2
Page Count: 368
Publisher: Overlook
Review Posted Online: Oct. 1, 2017
Kirkus Reviews Issue: Oct. 15, 2017
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics,...
A provocative analysis of the parallels between Donald Trump’s ascent and the fall of other democracies.
Following the last presidential election, Levitsky (Transforming Labor-Based Parties in Latin America, 2003, etc.) and Ziblatt (Conservative Parties and the Birth of Democracy, 2017, etc.), both professors of government at Harvard, wrote an op-ed column titled, “Is Donald Trump a Threat to Democracy?” The answer here is a resounding yes, though, as in that column, the authors underscore their belief that the crisis extends well beyond the power won by an outsider whom they consider a demagogue and a liar. “Donald Trump may have accelerated the process, but he didn’t cause it,” they write of the politics-as-warfare mentality. “The weakening of our democratic norms is rooted in extreme partisan polarization—one that extends beyond policy differences into an existential conflict over race and culture.” The authors fault the Republican establishment for failing to stand up to Trump, even if that meant electing his opponent, and they seem almost wistfully nostalgic for the days when power brokers in smoke-filled rooms kept candidacies restricted to a club whose members knew how to play by the rules. Those supporting the candidacy of Bernie Sanders might take as much issue with their prescriptions as Trump followers will. However, the comparisons they draw to how democratic populism paved the way toward tyranny in Peru, Venezuela, Chile, and elsewhere are chilling. Among the warning signs they highlight are the Republican Senate’s refusal to consider Barack Obama’s Supreme Court nominee as well as Trump’s demonization of political opponents, minorities, and the media. As disturbing as they find the dismantling of Democratic safeguards, Levitsky and Ziblatt suggest that “a broad opposition coalition would have important benefits,” though such a coalition would strike some as a move to the center, a return to politics as usual, and even a pragmatic betrayal of principles.
The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics, rather than in the consensus it is not likely to build.Pub Date: Jan. 16, 2018
ISBN: 978-1-5247-6293-3
Page Count: 320
Publisher: Crown
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
