One remarkable creature vividly shows readers that “there is so, so much to see.”
A wild dog who serves as the Eyes for Bison living in a park enclosure devises a plan to free them.
Exuberant, observant dog Johannes runs daily throughout the park, which is visited by humans, reporting to Freya, Meredith, and Samuel, three old Bison who are the Keepers of the Equilibrium. Johannes and other Assistant Eyes—a sea gull, a squirrel, a pelican, and a raccoon—describe an art museum being built in the park, a “building full of chaos-rectangles.” Johannes finds it captivating, leading to his capture by humans—and subsequent rescue by the other Eyes in a demonstration of interspecies cooperation. This gives him the idea to free the Bison. The appearance of goats, who have been brought in to eat weeds, provides a friend, a revelation, and a new plan and purpose: “to pull off the impossible.” Johannes’ first-person narration is an interesting mix of poetic language, sophisticated vocabulary, philosophy, humor, hyperbole, and both short declarative and run-on sentences; his estimations of time, size, and quantity are particularly exaggerated. Johannes’ loyalty, friendship, and commitment to a noble purpose, even as his sense of self shifts, the stakes are raised, and last-minute changes to the plan occur, make him an admirable character. The artwork consists of double-page spreads reproducing magnificent fine art landscapes into which Harris has seamlessly inserted Johannes, cleverly adapting to each painter’s style and color palette.
One remarkable creature vividly shows readers that “there is so, so much to see.” (author’s note, sources) (Fiction. 9-14)Pub Date: May 9, 2023
ISBN: 9781524764203
Page Count: 256
Publisher: Knopf
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
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This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted...
Versatile Newbery Medalist Creech (A Fine, Fine School, p. 862, etc.) continues to explore new writing paths with her latest, written as free verse from the viewpoint of a middle-school boy named Jack.
Creech knows all about reluctant writers from her own years of teaching, and she skillfully reveals Jack’s animosity toward books and poetry, and especially about writing his own poems. He questions the very nature of poetry, forcing the reader to think about this question, too. Jack’s class assignments incorporate responses to eight well-known poems (included in an appendix) and gradually reveal the circumstances, and Jack’s hidden feelings, about the loss of his beloved dog. Jack’s poetry grows in length, complexity, and quality from September to May, until he proudly sends his best poem about his dog and a heartfelt thank-you poem to Walter Dean Myers after the author’s school visit. The inclusion of the eight poems is an advantage, because comments on the poems are often part of Jack’s poetry. Others not already familiar with these famous poems, though, might miss the allusions in Jack’s work. (There is no note at the beginning of the book to point the reader to the appendix.) But it’s a quick read, offering a chance to go back and look again. Teachers will take this story to heart, recognizing Miss Stretchberry’s skilled and graceful teaching and Jack’s subtle emotional growth both as a person and a writer.
This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted readers. (Fiction/poetry. 9-13)Pub Date: Aug. 1, 2001
ISBN: 0-06-029287-3
Page Count: 112
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...
Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).
Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.
Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)Pub Date: Sept. 1, 1998
ISBN: 978-0-374-33265-5
Page Count: 233
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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