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A MEMOIR IN 21 SONGS

A hilarious and touching coming-of-age story that will strike a particular nerve among Generation Y.

The former MTV VJ waxes nostalgic on his life in pop culture.

Writer, comedian, and TV personality Holmes, a writer-at-large for Esquire.com, is probably best known as the runner-up of MTV’s first Wanna Be a VJ contest, a competition he lost to the dervish known as Jesse Camp. The loss to Camp, which the author hilariously recounts with candid remarks about the victor, was a pivotal moment in Holmes’ life. He still earned a spot on MTV as an on-air personality, and the new career eventually led to a greater sense of self-acceptance that had eluded him his whole life. As a self-proclaimed outsider, Holmes’ burgeoning homosexuality as a teenager didn’t help his self-image considering his conservative upbringing in the Catholic community of suburban St. Louis. To help him cope, Holmes turned to pop culture. A cultural omnivore, he devoured the music his older brothers brought home from college, sang Top 40 songs with his parents, and watched a lot of TV. It wasn’t until a chance meeting with Amy and Emily of the Indigo Girls in his final year of college that Holmes finally received the advice he’d been longing for to help him come out: just trust yourself. Though Holmes peppers his narrative with witty asides and pop-culture references, the nostalgia factor is ramped up in the interludes between chapters, in which he provides a soundtrack for the current moment, a list of hunks that defined his adolescence, and the top 10 videos that defined MTV’s Total Request Live. One such aside is an amusing run-down of gossipy anecdotes of millennium-era pop stars and celebrities, featuring Kid Rock, Tara Reid, Puff Daddy, and more. Holmes is all charm, and his self-deprecating style makes his story relatable and engaging without feeling self-involved.

A hilarious and touching coming-of-age story that will strike a particular nerve among Generation Y.

Pub Date: June 28, 2016

ISBN: 978-0-8041-8798-5

Page Count: 288

Publisher: Crown Archetype

Review Posted Online: April 29, 2016

Kirkus Reviews Issue: May 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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