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A BOY AND A BEAR IN A BOAT

Diverting but unanchored, this is training wheels for Waiting for Godot.

This ocean adventure reads fast and clever but remains what it says on the jacket. Without backstory, identities or context to moor the boy or the bear to the rest of the world, off floats the story on its own.

At first, the sly abstruseness in Shelton’s witty prose is intriguing, even exciting. A boy steps into a rowboat. The rower, a bear, asks “Where to?” The boy waves his hand “vaguely out across the water” and answers, “Just over to the other side, please.” A mystery! But clearly there’s another “side,” a place “where he was going,” even if its distance is farther than expected: “I thought you’d be able to see it [from here].” The diction is unflaggingly clean and clear, droll and mischievous (“A boringly gentle breeze thought about blowing, but decided in the end not to bother”). However, despite storms, sea-monster hazards and an ever-shifting bear/boy dynamic, this book never feels complete. There’s no journey’s end, nor disclosure of destination; hunger somehow becomes a conquerable philosophical challenge: “[H]is hunger had been there for so long that… [i]t was normal now and he didn’t really notice it.” Whatever the message—overcoming obstacles? staying at sea forever? overcoming the need for… food?—this is more allegory than any story form with closure.

Diverting but unanchored, this is training wheels for Waiting for Godot. (Fable. 8-12)

Pub Date: June 12, 2012

ISBN: 978-0-385-75248-0

Page Count: 304

Publisher: David Fickling/Random

Review Posted Online: March 27, 2012

Kirkus Reviews Issue: April 15, 2012

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STAY

Entrancing and uplifting.

A small dog, the elderly woman who owns him, and a homeless girl come together to create a tale of serendipity.

Piper, almost 12, her parents, and her younger brother are at the bottom of a long slide toward homelessness. Finally in a family shelter, Piper finds that her newfound safety gives her the opportunity to reach out to someone who needs help even more. Jewel, mentally ill, lives in the park with her dog, Baby. Unwilling to leave her pet, and forbidden to enter the shelter with him, she struggles with the winter weather. Ree, also homeless and with a large dog, helps when she can, but after Jewel gets sick and is hospitalized, Baby’s taken to the animal shelter, and Ree can’t manage the complex issues alone. It’s Piper, using her best investigative skills, who figures out Jewel’s backstory. Still, she needs all the help of the shelter Firefly Girls troop that she joins to achieve her accomplishment: to raise enough money to provide Jewel and Baby with a secure, hopeful future and, maybe, with their kindness, to inspire a happier story for Ree. Told in the authentic alternating voices of loving child and loyal dog, this tale could easily slump into a syrupy melodrama, but Pyron lets her well-drawn characters earn their believable happy ending, step by challenging step, by reaching out and working together. Piper, her family, and Jewel present white; Pyron uses hair and naming convention, respectively, to cue Ree as black and Piper’s friend Gabriela as Latinx.

Entrancing and uplifting. (Fiction. 9-12)

Pub Date: Aug. 13, 2019

ISBN: 978-0-06-283922-0

Page Count: 320

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: April 9, 2019

Kirkus Reviews Issue: May 1, 2019

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THE MOUSE AND THE MOTORCYCLE

The whimsy is slight—the story is not—and both its interest and its vocabulary are for the youngest members of this age...

Beverly Cleary has written all kinds of books (the most successful ones about the irrepressible Henry Huggins) but this is her first fantasy.

Actually it's plain clothes fantasy grounded in the everyday—except for the original conceit of a mouse who can talk and ride a motorcycle. A toy motorcycle, which belongs to Keith, a youngster, who comes to the hotel where Ralph lives with his family; Ralph and Keith become friends, Keith gives him a peanut butter sandwich, but finally Ralph loses the motorcycle—it goes out with the dirty linen. Both feel dreadfully; it was their favorite toy; but after Keith gets sick, and Ralph manages to find an aspirin for him in a nearby room, and the motorcycle is returned, it is left with Ralph....

The whimsy is slight—the story is not—and both its interest and its vocabulary are for the youngest members of this age group. (Fantasy. 8-12)

Pub Date: Sept. 22, 1965

ISBN: 0380709244

Page Count: 180

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 16, 2011

Kirkus Reviews Issue: Sept. 1, 1965

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