An easy-to-read introduction to the joys, challenges and techniques of an increasingly marketable entertainment career...
Webster’s debut how-to guide explains best practices for every facet of a voice-over career.
The book begins with the premise that “[v]oiceover may very well be the best job in the world.” The author’s enthusiasm for the trade, along with his applied experience, provides a unifying tone for the highly particular chapters that follow. Each section deals with a specific aspect of the trade, beginning with the basics (“How to Take Care of Your Voice”) and moving on to more complicated issues, such as “The Union” and “How to Make a Killer Demo.” Throughout are selected bits of industry history that show how it’s changed with the digital revolution. Several particularly detailed chapters on setting up and properly using a home studio present options and clear recommendations regarding software, equipment, remote recording and soundproofing. The author even provides an introduction to mindful meditation, not only as a means of vocal care, but also for its other benefits. Still, much of the advice here is equally applicable to other entrepreneurial or freelance disciplines; for example, it often returns to core points such as “don’t work for free” and “be professional.” Webster writes comfortably in the first person, but his informal tone is occasionally a bit disorienting; for example, at one point, he gives a real-time report: “As I write these words…I’m expecting that my agent might call….Update: I booked the gig and recorded at home.” Overall, however, the prose is generally clear, and many chapters include additional suggested resources at the end. In many ways, it’s hard to evaluate Webster’s many claims without putting in the years of hard work it takes to become a successful freelance voice. That said, the authority of his 25 years of experience, and his attention to even the smallest aspects of voice-over work, makes this informational guide feel complete and practical.
An easy-to-read introduction to the joys, challenges and techniques of an increasingly marketable entertainment career choice.Pub Date: July 1, 2014
ISBN: 978-1499563801
Page Count: 184
Publisher: CreateSpace
Review Posted Online: Sept. 17, 2014
Review Program: Kirkus Indie
That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.”...
The writing life at age 85.
In this collection of 14 autobiographical essays, former U.S. Poet Laureate Hall (Christmas at Eagle Pond, 2012, etc.) reflects on aging, death, the craft of writing and his beloved landscape of New Hampshire. Debilitated by health problems that have affected his balance and ability to walk, the author sees his life physically compromised, and “the days have narrowed as they must. I live on one floor eating frozen dinners.” He waits for the mail; a physical therapist visits twice a week; and an assistant patiently attends to typing, computer searches and money matters. “In the past I was often advised to live in the moment,” he recalls. “Now what else can I do? Days are the same, generic and speedy….” Happily, he is still able to write, although not poetry. “As I grew older,” he writes, “poetry abandoned me….For a male poet, imagination and tongue-sweetness require a blast of hormones.” Writing in longhand, Hall revels in revising, a process that can entail more than 80 drafts. “Because of multiple drafts I have been accused of self-discipline. Really I am self-indulgent, I cherish revising so much.” These essays circle back on a few memories: the illness and death of his wife, the poet Jane Kenyon, which sent him into the depths of grief; childhood recollections of his visits to his grandparents’ New Hampshire farm, where he helped his grandfather with haying; grateful portraits of the four women who tend to him: his physical therapist, assistant, housekeeper and companion; and giving up tenure “for forty joyous years of freelance writing.”
That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.” For the author, writing has been, and continues to be, his passionate revenge against diminishing.Pub Date: Dec. 2, 2014
ISBN: 978-0544287044
Page Count: 144
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 15, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Erudite writing from an author struggling to find meaning through music.
An Ohio-based poet, columnist, and music critic takes the pulse of the nation while absorbing some of today’s most eclectic beats.
At first glance, discovering deep meaning in the performance of top-40 songstress Carly Rae Jepsen might seem like a tough assignment. However, Abdurraqib (The Crown Ain’t Worth Much, 2016) does more than just manage it; he dives in fully, uncovering aspects of love and adoration that are as illuminating and earnest as they are powerful and profound. If he can do that with Jepsen's pop, imagine what the likes of Bruce Springsteen, Prince, or Nina Simone might stir in him. But as iconic as those artists may be, the subjects found in these essays often serve to invoke deeper forays into the worlds surrounding the artists as much as the artists themselves. Although the author is interested in the success and appeal of The Weeknd or Chance the Rapper, he is also equally—if not more—intrigued with the sociopolitical and existential issues that they each managed to evoke in present-day America. In witnessing Zoe Saldana’s 2016 portrayal of Simone, for instance, Abdurraqib thinks back to his own childhood playing on the floor of his family home absorbing the powerful emotions caused by his mother’s 1964 recording of “Nina Simone in Concert”—and remembering the relentlessly stigmatized soul who, unlike Saldana, could not wash off her blackness at the end of the day. In listening to Springsteen, the author is reminded of the death of Michael Brown and how “the idea of hard, beautiful, romantic work is a dream sold a lot easier by someone who currently knows where their next meal is coming from.” In all of Abdurraqib’s poetic essays, there is the artist, the work, the nation, and himself. The author effortlessly navigates among these many points before ultimately arriving at conclusions that are sometimes hopeful, often sorrowful, and always visceral.
Erudite writing from an author struggling to find meaning through music.Pub Date: Nov. 14, 2017
ISBN: 978-1-937512-65-1
Page Count: 288
Publisher: Two Dollar Radio
Review Posted Online: Oct. 1, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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