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A LITTLE AT A TIME

A little boy takes a walk with his Grandpa through a city, and they see many things: tall buildings, a construction site and a museum with an enormous dinosaur skeleton. As they walk, the boy asks questions: about how the buildings got so tall, how the streets got so dirty or how the dinosaur got put together. Grandpa answers all the questions with the same refrain: “a little at a time.” The concept slowly sinks in, and toward the end the boy is able to answer his own question with the same line. Grandpa keeps it going all the way to naptime, however, which makes one wish that the refrain were used more sparingly and less predictably for greater punch. What does work is how the phrase is applied to both good and bad—the putting together of the skeleton versus pollution, for instance. Tong’s painterly images communicate exactly what the boy and his Grandpa see but come off a bit stiff and old-fashioned. Still, Adler clearly navigates an important and often-forgotten concept for little thinkers growing up in a world full of immediate gratification. (Picture book. 3-6)

Pub Date: Aug. 1, 2010

ISBN: 978-0-8234-1739-1

Page Count: 32

Publisher: Holiday House

Review Posted Online: June 28, 2010

Kirkus Reviews Issue: July 15, 2010

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THE VERY BEST HUG

A delightfully silly celebration of familial love.

A child in search of the best hugger takes a bedtime tour of the world’s most unusual embraces.

In the opening pages of this rhyming picture book, an unnamed narrator asks a curly-haired, tan-skinned child who they think gives the best hugs. At the narrator’s behest, the protagonist spends their bedtime routine receiving affection from a wacky cast of creatures, ranging from meerkats to porcupines to narwhals. These animals have a variety of body types, but even those with a lack of limbs still express their love; the seahorse, for example, gives the child a “smooch” right before bathtime, and a grinning cobra offers the child a “clinch,” wrapping itself around their leg. Although many of the animals prove to be more prickly than cozy—the narrator points out, for example, the sharpness of bird beaks and porcupine quills—even the snuggliest koalas and bears cannot compare to the best hug of all: a parent’s embrace right before bedtime. The use of second-person address combined with the protagonist’s beautifully illustrated facial expressions and the buoyant, clever lines of verse render this book a hilarious and whimsical ride sure to delight both children and the adults who read to them. The pictures and text work together to create a clear narrative arc for the protagonist, and though the ending is a bit predictable, it’s nevertheless a wonderful payoff. (This book was reviewed digitally.)

A delightfully silly celebration of familial love. (Picture book. 3-6)

Pub Date: Jan. 24, 2023

ISBN: 978-1-5476-1236-9

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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