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SPONTANEOUS COMBUSTION

A disjointed and derivative novel about gay life in Manhattan- -a second attempt by Feinberg (Eighty-Sixed, 1989) to strike sparks from the contemporary tragedy of AIDS. B.J. is already a self-described ``emotional black hole'' when he tests positive for the HIV virus. A bundle of neuroses whose narrative voice is a jittery rehash of every late-night talk-show quip, B.J. is perpetually on the make and is surrounded with others similarly obsessed. The irony of AIDS, of course, makes this a fairly frustrating lifestyle—everyone is talking about sex, but ever fewer are doing it. And so what we get, as the novel lurches from episode to episode, is chapter after chapter of missed connections: Cameron, Richard, Allan, Wendall, Roger. Counterpointing these chatty, time-killing nonhappenings—in which Feinberg recycles waiter jokes and celebrity scandals —are two grim interludes with dying friends Gordon and Seymour. Seymour's death throes are quite affecting, but since we don't meet him until page 112, when he's literally dying, his character is largely irrelevant to B.J.'s story. (In fact, the suspicion arises that until Seymour tested positive, B.J. didn't much think about him or his health.) That's the way it goes for much of the book—potential undermined by slapdash plotting and a near-total inattention to character development. There could have been a novel in this material, but as B.J. puts it: ``In the approaching-the-fin-de- siäcle manner, one uses a less exacting set of criteria in selecting possible dates. In other words, we've lowered our standards.'' This may be true for dating, but not for writing. Not for the mainstream, but not, either, destined to break any ground in the gay fiction market, although it may help pass the time on the airplane or the train.

Pub Date: Nov. 1, 1991

ISBN: 0-670-83813-6

Page Count: 240

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1991

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STRANGERS IN BUDAPEST

Expect readers of this unpleasant hate poem to Budapest to cancel any plans they've made to travel there.

Budapest in 1995 is supposedly on the brink of post-communist economic revival, but the American expats who inhabit Keener’s second novel (Night Swim, 2013) can neither adjust to the city’s deep-seated complexity nor escape the problems they hoped to leave back home.

Annie and Will arrive with their adopted baby, Leo, so Will can pursue a startup creating “communication networks.” Unfortunately, Will, as seen through Annie’s eyes, is a research nerd with little aptitude for entrepreneurship. Annie hopes to escape what she considers intrusive involvement by the social worker who arranged Leo’s adoption. A one-time social worker herself (an irony Annie misses), she makes ham-handed attempts to help the locally hated Roma population. After eight months, Will has yet to close a deal when his former boss Bernardo, a glad-hander Annie doesn’t trust, shows up with an enticing offer. Bernardo hires Stephen, another expat, who has moved to Budapest to connect with his parents’ homeland; they fled Hungary for America after the 1956 uprising but never recovered emotionally. The story of his father’s suicide touches a chord in Annie, herself haunted by a tragic accident that destroyed her family’s happiness when she was 4. Meanwhile, 76-year-old Edward is in Budapest to track down his late daughter Deborah’s husband, Van. Edward believes Van murdered Deborah though the official cause of death was related to her multiple sclerosis. The only character besides Annie with a revealed inner life, Edward is embittered by his experience as a Jewish WWII soldier. He disapproved of Deborah’s hippie lifestyle and her attraction to men he considered losers, like Van. Over Will’s objections, and the readers’ disbelief, bleeding-heart Annie agrees to help Edward find Van. A bad idea. As for Budapest itself—polluted, in physical disrepair, plagued by an ugly history, and populated by rude, corrupt, and bigoted locals—the author strongly implies that the misery and mayhem Annie experiences are the city’s fault.

Expect readers of this unpleasant hate poem to Budapest to cancel any plans they've made to travel there.

Pub Date: Nov. 14, 2017

ISBN: 978-1-61620-497-6

Page Count: 352

Publisher: Algonquin

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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OF MICE AND MEN

Steinbeck is a genius and an original.

Steinbeck refuses to allow himself to be pigeonholed.

This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define.  Steinbeck is a genius and an original.

Pub Date: Feb. 26, 1936

ISBN: 0140177396

Page Count: 83

Publisher: Covici, Friede

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Feb. 1, 1936

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