An unromantic, heartrending tale, wrapped in a cloak of nightmares.
Fantastical, gloriously illustrated graphic memoir of the French cartoonist’s life, overshadowed by an epileptic brother.
Born Pierre-François Beauchard, David B., a founding member of the avant-garde cartoonist group L’Association, grew up in a small town near Orleans during the 1960s, the son of two open-minded educators. His older brother, Jean-Christophe, began having severe seizures at an early age, and the disease gradually consumed the family. B.’s parents eventually lost faith in traditional doctors, who treated their ailing son more like a test case than a human being, and moved on to alternative cures. Many of them worked at first but became progressively less effective; treatment for Jean-Christophe turned into a revolving door of one guru after another. The family shuttled up to Paris to see acupuncturists and spent time in a macrobiotic commune that quickly became ugly and fascistic. Meanwhile, David increasingly retreated into a rich interior private universe to escape the reality an incurable sickness. He spun his intricate fantasies of war, monsters and shadowy conspiracies into elaborate drawings, which flow through the pages of this magnificent volume. Fantastic beasts and dark winds lurk around the peripheries of the real events being depicted and often come leaping right through them. Lost in his tales of golems, birdmen and dancing skeletons, David shielded himself from his brother’s desperate condition: “My armor is the night.” This masterful work of graphic art also succeeds as a tender yet unabashedly realistic view of the disease that eventually claimed Jean-Christophe. The boy was undoubtedly a victim, but he didn’t do the little that he could to help himself and couldn’t help but drag the rest of the family down with him. This context makes the rage that David and the rest of the family felt toward Jean-Christophe entirely understandable, though no less disturbing.
An unromantic, heartrending tale, wrapped in a cloak of nightmares.Pub Date: Jan. 4, 2005
ISBN: 0-375-42318-4
Page Count: 368
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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