Are there Martians out there? Baron has evident good fun looking into the origins of an ongoing craze.
Entertaining account of the Mars madness that saturated popular culture at the turn of the 20th century.
Every year or two for a couple of centuries, a new book or movie or bit of news comes along to suggest that Mars once hosted life forms—and may yet do so, hidden under red rocks and sand dunes. As science journalist Baron records, that long trend traces back to the late 19th century, with numerous protagonists. In France, Camille Flammarion, a budding scientist, wrote novels in his spare time in which he supposed “other planets to be populated by the souls of dead humans,” with one pair of doomed lovers reincarnated on Mars. So popular was Flammarion that an admirer gave him an imposing château outside Paris that he converted into his own observatory. In the U.S., Baron continues, came “the Mars boom of 1892,” promulgated by, among others, future news magnate Joseph Pulitzer, whose papers breathlessly reported “three bright spots, like powerful searchlights,” beaming down from Martian mountains. Italian scientist Giovanni Schiaparelli speculated that the regular lines that he could see through his telescope were ancient canals, a theme picked up by American astronomy buff and patron Percival Lowell, who in turn was sure that ancient civilizations once flourished on Mars. On that note, Baron turns to the liveliest part of his story, namely the influence of all this tentative, often flawed science on popular culture. He writes, “Lowell’s influence leapfrogged to a whole new generation when the creator of another craze—the Tarzan novels—wrote a string of adventure books set on a fictional Mars known by its inhabitants as Barsoom.” That author, Edgar Rice Burroughs, in turn inspired Ray Bradbury, Arthur C. Clarke, and many other sci-fi writers who gave us shelves of books by which to “pass Lowell’s imaginative torch on to yet another generation.”
Are there Martians out there? Baron has evident good fun looking into the origins of an ongoing craze.Pub Date: Aug. 26, 2025
ISBN: 9781324090663
Page Count: 336
Publisher: Liveright/Norton
Review Posted Online: April 17, 2025
Kirkus Reviews Issue: May 15, 2025
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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