Are there Martians out there? Baron has evident good fun looking into the origins of an ongoing craze.
Entertaining account of the Mars madness that saturated popular culture at the turn of the 20th century.
Every year or two for a couple of centuries, a new book or movie or bit of news comes along to suggest that Mars once hosted life forms—and may yet do so, hidden under red rocks and sand dunes. As science journalist Baron records, that long trend traces back to the late 19th century, with numerous protagonists. In France, Camille Flammarion, a budding scientist, wrote novels in his spare time in which he supposed “other planets to be populated by the souls of dead humans,” with one pair of doomed lovers reincarnated on Mars. So popular was Flammarion that an admirer gave him an imposing château outside Paris that he converted into his own observatory. In the U.S., Baron continues, came “the Mars boom of 1892,” promulgated by, among others, future news magnate Joseph Pulitzer, whose papers breathlessly reported “three bright spots, like powerful searchlights,” beaming down from Martian mountains. Italian scientist Giovanni Schiaparelli speculated that the regular lines that he could see through his telescope were ancient canals, a theme picked up by American astronomy buff and patron Percival Lowell, who in turn was sure that ancient civilizations once flourished on Mars. On that note, Baron turns to the liveliest part of his story, namely the influence of all this tentative, often flawed science on popular culture. He writes, “Lowell’s influence leapfrogged to a whole new generation when the creator of another craze—the Tarzan novels—wrote a string of adventure books set on a fictional Mars known by its inhabitants as Barsoom.” That author, Edgar Rice Burroughs, in turn inspired Ray Bradbury, Arthur C. Clarke, and many other sci-fi writers who gave us shelves of books by which to “pass Lowell’s imaginative torch on to yet another generation.”
Are there Martians out there? Baron has evident good fun looking into the origins of an ongoing craze.Pub Date: Aug. 26, 2025
ISBN: 9781324090663
Page Count: 336
Publisher: Liveright/Norton
Review Posted Online: April 17, 2025
Kirkus Reviews Issue: May 15, 2025
BOOK REVIEW
BOOK REVIEW
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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