This gut-churning thriller will sweep you along and, with any luck, propel Benioff into bestseller land.
Novelist and screenwriter Benioff’s glorious second novel (The 25th Hour, 2000) is a wild action-packed quest, and much else besides: a coming-of-age story, an odd-couple tale and a juicy footnote to the historic World War II siege of Leningrad.
It’s New Year’s Eve, 1941, and Lev Beniov is alone in Leningrad. (Note that last name: This novel was sparked by tape-recorded memories of author Benioff’s grandfather.) The 17-year-old’s mother and sister were evacuated before the siege began in September; his father, a respected poet, was “removed” by the NKVD in 1937. Lev’s real troubles begin when a German paratrooper, frozen to death, lands on his street. Lev deserts his firefighter’s post, steals the German’s knife, is arrested by soldiers and jailed. His cellmate is 20-year-old Kolya, a boastful Cossack deserter, dazzlingly handsome in contrast to scrawny Lev, who hates his telltale big nose (he’s half-Jewish); their initial hostility turns into the closest of bonds. Sparing their lives, for now, NKVD Colonel Grechko gives them a near-impossible assignment in this starving city: five days to find a dozen eggs for his daughter’s wedding cake. There’s nothing doing on the black market. Then Kolya hears of a poultry collective…behind German lines. That’s where they must go, decides Kolya, and Benioff makes his boundless self-confidence entirely credible. Over half the novel happens in enemy territory. Lev and Kolya stumble on a farmhouse where four pretty Russian girls are being kept as sex slaves by a Nazi death squad. (The connection between sex and death is a major theme.) The slave-owners are killed by Russian partisans, one of whom is the deadly sniper Vika, a young tomboy who steals Lev’s heart. Despite a “parade of atrocities,” the pace will keep your adrenaline pumping right up to the climactic chess game between Lev and a fiendish Nazi officer.
This gut-churning thriller will sweep you along and, with any luck, propel Benioff into bestseller land.Pub Date: May 19, 2008
ISBN: 978-0-670-01870-3
Page Count: 258
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A masterpiece of craftsmanship that offers an unparalleled emotional experience. Send a copy to the Swedish Academy.
An ambitious scientific experiment wreaks horrendous toll in the Booker-winning British author’s disturbingly eloquent sixth novel (after When We Were Orphans, 2000).
Ishiguro’s narrator, identified only as Kath(y) H., speaks to us as a 31-year-old social worker of sorts, who’s completing her tenure as a “carer,” prior to becoming herself one of the “donors” whom she visits at various “recovery centers.” The setting is “England, late 1990s”—more than two decades after Kath was raised at a rural private school (Hailsham) whose students, all children of unspecified parentage, were sheltered, encouraged to develop their intellectual and especially artistic capabilities, and groomed to become donors. Visions of Brave New World and 1984 arise as Kath recalls in gradually and increasingly harrowing detail her friendships with fellow students Ruth and Tommy (the latter a sweet, though distractible boy prone to irrational temper tantrums), their “graduation” from Hailsham and years of comparative independence at a remote halfway house (the Cottages), the painful outcome of Ruth’s breakup with Tommy (whom Kath also loves), and the discovery the adult Kath and Tommy make when (while seeking a “deferral” from carer or donor status) they seek out Hailsham’s chastened “guardians” and receive confirmation of the limits long since placed on them. With perfect pacing and infinite subtlety, Ishiguro reveals exactly as much as we need to know about how efforts to regulate the future through genetic engineering create, control, then emotionlessly destroy very real, very human lives—without ever showing us the faces of the culpable, who have “tried to convince themselves. . . . That you were less than human, so it didn’t matter.” That this stunningly brilliant fiction echoes Caryl Churchill’s superb play A Number and Margaret Atwood’s celebrated dystopian novels in no way diminishes its originality and power.
A masterpiece of craftsmanship that offers an unparalleled emotional experience. Send a copy to the Swedish Academy.Pub Date: April 11, 2005
ISBN: 1-4000-4339-5
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
PERSPECTIVES
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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