A quick, humorous memoir about storytelling, on and off the stage.
Black (The Magic of Theater, 1993, etc.), in his new memoir, offers a colorful account of his life in the Broadway theater.
People in show business always seem to have the best stories. Maybe it’s the strength of their personalities or the heightened cultural setting or the chance that someone famous might pop up at any time. All these things are true in Black’s memoir, which gives readers a behind-the-scenes look at the Great White Way (with requisite appearances by celebrities big and small), as well as an examination of the complicated life of a theater professional. Black details his childhood as the son of an influential atheistic minister, his marriage into the upper crust of Boston society, his time as an opera singer in Europe, and his long career in the fast and fickle world of Broadway. The most interesting sections detail his work in the 1960s, producing shows such as the musical George M!, a revival of A Funny Thing Happened on the Way to the Forum, and most surprisingly, Richard Nixon’s 1969 Inaugural Gala in Washington, D.C. Just as engaging, though, are his relationships with his family and his lovers, and his personal trials define him even more than the professional ones. At just over 150 pages, it’s a short volume, as Black is no completist when it comes to his own memory; he provides only the moments he wishes to discuss. He writes in a highly anecdotal style, one story following the next, yet the memoir somehow manages to avoid feeling digressive or directionless. Instead, his life unfolds in brief but meticulous fables that, together, present a quirky but comprehensive biography. Some stories are poignant, but most are simply funny, and Black’s wonderfully dry humor and inclination toward self-deprecation truly carry readers through the book. Overall, he seems to have enough respect for life and art to know not to take either too seriously. In theater, there are tragedies and there are comedies; Black has thankfully interpreted his life as the latter.
A quick, humorous memoir about storytelling, on and off the stage.Pub Date: Dec. 29, 2014
ISBN: 978-1631923258
Page Count: 157
Publisher: Mezzo Books
Review Posted Online: Jan. 19, 2015
Kirkus Reviews Issue: March 1, 2015
Review Program: Kirkus Indie
PROFILES
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Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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