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THE SOUL CAGE

A triumphant intermingling of the sci-fi and mystery genres.

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In Booker’s (King Slayer, 2004) sci-fi murder mystery, a police officer looks into the savage death of a teleporter inventor.

In the mid-22nd century, Global Inspector Burt Campbell investigates a bloody scene—the scattered remains of Dr. Jiro Yamamoto. Campbell’s suspects include Penelope, Yamamoto’s personal assistant; relatives of death-row inmates who’ve died during the doctor’s teleporter tests; and the global military, which has a huge investment in the device, and wants to take control of it. Campbell also contends with a dodgy supercomputer, missing prisoners and corpses that appear to be coming back to life. Booker depicts intriguing, advanced technology, including a Central Police Computer that collects IDs and fingerprints by scanning a roomful at a time, without overshadowing the central plot. It’s almost a letdown when Campbell solves the murder near the halfway mark, but the novel maintains interest with mysteries involving Penelope—the only person to complete the teleportation process without becoming a raving lunatic—and Bohdan, an escaped prisoner who wants to see the inspector dead. Despite its lurid, colorful descriptions of massacres—“Blood and gore were the new décor”—the novel is unexpectedly docile: a scene in which body parts swirl around a room is more tongue-in-cheek than violent, there’s little abrasive language, and Campbell’s relationship with Penelope is portrayed more as a schoolyard crush than a physical yearning. But the novel’s choicest scenes involve Campbell’s four Alaskan Malamutes, which resemble large, furry wolves. (Dog lovers will swoon over the dogs’ “chocolate-brown eyes” and wet kisses.) The inspector indisputably adores his dogs; he dotes on them more than he does Penelope, and he’s upset whenever he has to leave them. It’s not surprising that they ultimately aid Campbell’s search for Bohdan.

A triumphant intermingling of the sci-fi and mystery genres.

Pub Date: Feb. 2, 2013

ISBN: 978-1481105668

Page Count: 376

Publisher: CreateSpace

Review Posted Online: March 13, 2013

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MAN WHO DIED SEVEN TIMES

A fresh and clever whodunit with an engaging twist.

A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.

Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”

A fresh and clever whodunit with an engaging twist.

Pub Date: July 29, 2025

ISBN: 9781805335436

Page Count: 288

Publisher: Pushkin Vertigo

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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