by David Brin ‧ RELEASE DATE: June 1, 2012
A verbose, unwieldy, frustrating, nugget-strewn mess.
Huge, ambitious concoction from the author of Kiln People (2002, etc.) that tackles the question of why we haven't yet been contacted by aliens.
In a future where everybody is connected via a worldwide virtual reality network, astronaut Gerald Livingstone collects and disposes of the vast amount of orbiting junk that has accumulated in a century of space flight. One object he scoops up is a shaped crystal, clearly manufactured. Gerald finds that, as the first to touch the crystal, it communicates preferentially with him. It turns out to be a repository containing dozens of different aliens, all of whom seem to be competing for his attention. But how did the crystal get here, and what do the aliens want? The answers they give are peculiarly evasive. Other plot threads include Hamish Brookeman, a wealthy author of doomsday yarns tied to the anti-technology Renunciation Movement, whose views—explored at tedious length—gradually change. Peng Xiang Bin, a scavenger along China's drowned coast, discovers a second crystal whose denizens insist that Gerald's aliens are liars. Investigative journalist Tor Povlov, her body destroyed in a terrorist incident, survives as a cyborg. Lacey Donaldson-Sander, one of the planet's super-rich de facto rulers, would have been better eliminated altogether. Lacey's thrill-seeking son, Hacker, crashes into the ocean after a sub-orbital joyride and falls in with a company of intelligent dolphins. Various prodigiously talented autistics and Neanderthals weave in and out. The problem with all this, other than the lack of a coherent narrative, is that the dullest threads (Hamish, Lacey) persist inordinately, while the most intriguing (Bin, Hacker) simply cease in mid-story. Most disappointing of all, Brin generates few truly innovative ideas, instead borrowing heavily from his own previous works and from such writers as Gregory Benford and Greg Egan.
A verbose, unwieldy, frustrating, nugget-strewn mess.Pub Date: June 1, 2012
ISBN: 978-0-7653-0361-5
Page Count: 560
Publisher: Tor
Review Posted Online: April 15, 2012
Kirkus Reviews Issue: May 1, 2012
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Pierce Brown ‧ RELEASE DATE: Feb. 9, 2016
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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