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BY INVITATION ONLY

HOW THE MEDIA LIMIT POLITICAL DEBATE

Three studies of public affairs television, performed for a media watchdog group, challenge allegations that the medium has a liberal bias. In studies conducted from 1989 to 1993 for Fairness and Accuracy in Reporting (FAIR), sociologists Croteau and Hoynes statistically analyze the content of Nightline, The MacNeil/Lehrer NewsHour, and PBS's general evening programming. Their controversial 1992 study of Nightline, which examined the program over a 40-month period, found that guests were overwhelmingly white (92%), male (89%), and conservative (Henry Kissinger and Jerry Falwell each appeared more than 12 times, while Jesse Jackson was the only liberal featured more than twice). The guest list on MacNeil/Lehrer's nightly ``alternative'' to network news was even less varied. Perhaps most important is the examination of PBS's evening programming during six months in 1992. Even on documentaries, which formed the basis for many conservative claims about PBS bias, male sources outnumbered female three to one, with ethnic, working-class, and gay sources rare or nonexistent. Croteau (Virginia Commonwealth Univ.; Politics and the Class Divide, not reviewed) and Hoynes (Vassar Coll.; Public Television for Sale, not reviewed) say that television news lacks appropriate representation of its audience. Public affairs programs overwhelmingly offer the views of industry or government figures, while representatives of consumer, labor, and environmental organizations are marginalized. Analysis tends to emphasize ``the political game,'' Croteau and Hoynes contend, instead of the larger consequences of political decisions. Reasons for this narrow focus, in their view, include cost pressures and an ethos that leads journalists to seek partnership with—rather than professional distance from—their powerful sources. Generating more questions than it can answer, this slender, provocative work may play a central role in renewed debate over funding for public television in a Republican-dominated Congress.

Pub Date: Feb. 1, 1995

ISBN: 1-56751-045-0

Page Count: 250

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1994

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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