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MY PASHTUN RABBI

A JEW'S SEARCH FOR TRUTH, MEANING, AND HOPE IN THE MUSLIM WORLD

An entertaining fish-out-of-water (and gasping-in-the-desert) saga, with an inspiring message of inclusion and understanding.

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A Jewish American working in the United Arab Emirates fears hostility but finds humanity in this debut memoir.

Fleeing divorce and midlife crisis, journalist Eden left Ohio in 2008 to take a teaching job at the United Arab Emirates University in the Emirati oasis town of Al Ain. There was much in the desert oil monarchy on the Persian Gulf for him to get used to: searing heat; arrogant but inept bureaucrats (who assigned his first class to meet in a women’s bathroom); and female students who were almost impossible to tell apart due to their similar names and their identical, all-covering black sheylas. There was also pervasive anti-Semitism in the Muslim country, he says, and a deep enmity toward Israel; his students, not realizing that he was Jewish, blithely penned anti-Semitic cartoons for his approval. But Eden’s driver, Noor, a devoutly Muslim Pashtun tribesman from Pakistan, proved surprisingly receptive when Eden revealed his secret religious identity to him; Noor became his “Pashtun Rabbi” when the two men engaged in long theological discussions. Noor’s explication of the concept of “insha’Allah”—Arabic for “God willing”—attuned the author to the virtues of trusting in Providence. Eden was also able to turn a confrontation with a bitter Palestinian student into an occasion for mutual respect, and he was made an honorary member of another student’s clan. Throughout, Eden keeps the book’s tone light, filling it with colorful travelogue and amused double-takes about culture clashes: “Mahasba lowered her head, flicked her long eyelashes, moved in, and gently set her lips, her hairy lips, on mine,” he writes of a Bedouin ritual that involves kissing a camel. At the same time, he undertakes a poignant exploration of identity and belonging as he and Noor bond over their shared experience of exile and outsiderhood. As he tells of being plunged into an unfamiliar and daunting society, Eden manages to uncover and celebrate ordinary kindness and common feeling in the most unlikely places.

An entertaining fish-out-of-water (and gasping-in-the-desert) saga, with an inspiring message of inclusion and understanding.

Pub Date: Aug. 15, 2018

ISBN: 978-0-692-08615-5

Page Count: 344

Publisher: BookBaby

Review Posted Online: July 11, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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