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BULL

Irresistible, slick, and sharp (no bull!)—with plenty of bull to dissect.

A saucy, brash retelling of the Greek myth of the Minotaur.

In a series of dramatic monologues with no settings, Elliott updates the voices of Poseidon, Minos, Daedalus, Pasiphae, Asterion, and Ariadne, each in its own poetic form. Poseidon dominates in word count and attitude: if “[y]ou think a god should be more refined? / … / Never / Bawdy / Raunchy / Racy / Rude? / News Flash: / You don’t want a god. / You want a prude.” Angry at king Minos, he considers direct revenge (“Boils! / Scabs! / Gills! / A snout! / [Turn] his / Ding-dong / Inside / Out!”) but instead gives Queen Pasiphae “a thing / For the white bull’s thang.” Asterion the Minotaur is born. He grows to age 17, bleakly miserable, tortured by Minos, finally imprisoned in the iconic maze; even his sister Ariadne can’t break him out, and eventually he falls to Theseus. Poseidon considers Minos “a dick! / But also so much fun to hate”; some readers will think exactly that about Poseidon too, while others will resent just how much fun Poseidon is to hate, given his misogynistic women-are-crazy/women-are-whores snark about Pasiphae, whose woes he literally created himself. Elliott’s absolutely magnetic rhythms will wake up any high school class, and the book could also work as a play.

Irresistible, slick, and sharp (no bull!)—with plenty of bull to dissect. (cast of characters, author’s notes) (Verse fiction. 14-adult)

Pub Date: March 28, 2017

ISBN: 978-0-544-61060-6

Page Count: 200

Publisher: HMH Books

Review Posted Online: Dec. 10, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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A BURNING IN THE BONES

From the Waxways series , Vol. 3

A meticulously crafted magical medical mystery with an emotionally substantive romance.

As in earlier entries, this trilogy closer blends genres as it presents a quest to resolve a strange plague alongside a heartfelt romance and an exploration of shifting allegiances.

With Theo Brood’s father dispatched, Theo and Ren Monroe begin the arduous task of turning the Brood estate into something more egalitarian. Meanwhile, medical student Mercy Whitaker has been sent by her mentor, Dr. Horn, to help victims of a plague that’s sweeping nearby farms. Quick thinking and dogged detective skills lead her right to the source—but not to a full explanation of what’s going on. Concurrently, questions arise after someone from Ren’s past goes missing. Nevelyn Tin’Vori’s careful research, part of her ongoing desire to undermine the Brood dynasty, leads her right to the answers everyone seeks, ones that are directly connected to Mercy’s gruesome discovery. Alliances new and old form and break, as a shadowy group called the Makers threatens to bring down not just the Broods but magic itself. The solidity of the central characters, who continue to grow emotionally through their many varied experiences, brings coherence to the series. Though Ren and Theo, who present white, have grown up over the course of the books, the steadily upbeat pacing and judicious worldbuilding remain ideal for teen readers, preventing any stagnation in this series that ends as interestingly as it started.

A meticulously crafted magical medical mystery with an emotionally substantive romance. (map) (Fantasy. 14-18)

Pub Date: Feb. 4, 2025

ISBN: 9781665930499

Page Count: 544

Publisher: McElderry

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THE BELLES

From the Belles series , Vol. 1

With a refreshingly original concept, this substantial fantasy, the first in a duology, is an undeniable page-turner

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In Tiny Pretty Things co-author Clayton’s solo debut, beauty comes at a price.

On their joint 16th birthday, Camellia and her five sisters are sent out to restore beauty to Orléans, where everybody is born gray and ugly. They’ve been training for this their whole lives. As Belles, the sisters can use their magic to transform the citizens of Orléans from their original states. For the right price, Belles can grant any desired look. When Camellia secures the coveted spot of Her Majesty’s favorite, it seems as if her dreams have come true. As the most powerful, sought-out Belle, she is in charge of the royal family’s looks. However, the princess is insatiable in her quest for beauty and will do anything to get it—even if it means endangering the Belles and the kingdom—and Camellia may be the only one who can stop her. Not only that, but Camellia finds herself slowly uncovering the secrets of the Belles’ origin, and it’s not as pretty as she was taught. With wonderfully descriptive language, Clayton builds a grand and lavish world, carefully chipping away at the veneer to reveal its dark, sinister interior. In a world where anyone can change their skin color as often as they can change their hair color, race is fluid. Camellia is brown, and her sisters are various shades of brown and pale.

With a refreshingly original concept, this substantial fantasy, the first in a duology, is an undeniable page-turner (. (Fantasy. 14-adult)

Pub Date: Feb. 6, 2018

ISBN: 978-1-4847-2849-9

Page Count: 448

Publisher: Freeform/Disney

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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