A thoughtful and often comedically sharp reflection on political corruption.
A journalist uncovers a sprawling conspiracy that may implicate the president of the United States in Rothman’s political suspense novel.
Jonathan Stone, a veteran reporter for the Washington Telegram, sets his investigative sights on a dangerous subject, Seymour “Sy” Solomon, a remarkably powerful and deep-pocketed real estate mogul who seems to be beloved by everyone; he’s widely admired for his self-propelled rise to riches and lauded everywhere for his philanthropic efforts. He’s even close friends with George McWilliams, Stone’s boss and the editor of the newspaper. Nevertheless, Stone finds it impossible to ignore the fact that Solomon, who owns half the federal office leases in Washington, D.C., keeps receiving lucrative government contracts—Stone’s gut tells him the man is a “born grabber.” The more Stone digs, the dirtier Solomon seems. For one, he has an uncomfortably close relationship with the General Services Administration (GSA), the government’s business and record-keeping agency; he also contributes campaign dollars to all the coffers of the members of Congress (irrespective of party affiliation) and maintains murky business ties to President Eddy Bullard. Moreover, an edifice Solomon built that now houses the Internal Revenue Service at Vulture’s Point on the Potomac is so poorly constructed it seems on the verge of collapse, a danger confirmed by Stone’s girlfriend (and obsessive lover of Kafka), Margo Danialson, a minor bureaucrat at GSA. Rothman unfurls a morbidly entangled conspiracy, one that includes murder, suicide, and a nuclear-energy scandal. In fact, there’s simply too much crammed into this novel, a surfeit of subplots, backstories, and dispensable characters. Still, Rothman captures the aura of dark nihilism in some quarters of the political world with great power. Here, Solomon casually acknowledges that his building will eventually fall: “Solomon shrugged and frowned like a pacifist accused of the My Lai massacre. ‘Of course it’s falling down. All buildings fall down someday. All people die someday.’” This is a riveting work, mordantly insightful and surprisingly entertaining.
A thoughtful and often comedically sharp reflection on political corruption.Pub Date: Nov. 1, 2023
ISBN: 9798985181852
Page Count: 345
Publisher: Self
Review Posted Online: Oct. 11, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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