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MAGE'S BLOOD

Among the payoffs are plenty of cliffhangers, including one that nicely ushers in the next volume—which fans will await...

Sprawling first installment of a promised quartet involving the usual elements of swords and sorcery but with surprising and pleasing twists.

New Zealand–based YA author Hair spends a great deal of time here worldbuilding, and the fantastic geography that he conjures is both captivating and improbable. Not least of its disbelief-suspending features is a bridge that rises from the depths of the sea every dozen years, allowing the power- and wealth-seeking Magi to mount crusades in the land across the water. Naturally, the residents of that land don’t cotton to the incursions. Neither does every resident of the invading power, whose political complexities are both Byzantine and Mandarin. The Moontide Bridge that adjoins Yuros and Antiopia, some reckon, is the chief cause of their world’s miseries. In its sometimes-pedantic explorations of the racial, class and religious differences that separate the two continents, Hair’s novel swerves into J. K. Rowling territory, while in its mystical geography and anthropology, it often recalls Frank Herbert’s Dune novels. By comparison with these two models, Hair often lays on the fantasy-speak a little thickly: “Most of us have greater aptitude at one or more of the four Classes of the gnosis....My element is fire and I am strongest in Thaumaturgy and hermetic-gnosis.” Yet, as the novel unfolds and Hair charts both its physical features and its actors, bearing such resonant names as Antonin Meiros, Belonius Vult, Gurvon Gyle, Ramita Ankesharan and Cymbellea di Regia, it gathers both speed and force. Hair is adept at building characters as well as worlds, and his attention to his female players is welcome in a genre that too often excludes them. The tangles of place names and walk-ons require concentration on the reader’s part, but in the end, the story is satisfying enough to make the effort worthwhile.

Among the payoffs are plenty of cliffhangers, including one that nicely ushers in the next volume—which fans will await eagerly.

Pub Date: Sept. 27, 2013

ISBN: 978-1-62365-014-8

Page Count: 704

Publisher: Jo Fletcher/Quercus

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: July 15, 2013

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A KNIGHT OF THE SEVEN KINGDOMS

As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in...

Huzzah! Martin (The Ice Dragon, 2014, etc.) delivers just what fans have been waiting for: stirring tales of the founding of the Targaryen line.

Duncan—Dunk for short—has his hapless moments. He’s big, nearly gigantic, “hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen.” Uncertain of himself, clumsy, and alone in the world, he has every one of the makings of a hero, if only events will turn in that direction. They do, courtesy of a tiny boy who steals into the “hedge knight” Dunk’s life and eventually reveals a name to match that of Ser Duncan the Tall—an altogether better name, at that, than Duncan of Flea Bottom would have been. Egg, as the squire calls himself, has a strange light about him, as if he will be destined to go on to better things, as indeed he will. Reminiscent of a simpler Arthur Rackham, the illustrations capture that light, as they do the growing friendship between Dunk and Egg—think Manute Bol and Muggsy Bogues, if your knowledge of basketball matches your interest in fantasy. This being Martin, that friendship will not be without its fraught moments, its dangers and double crosses and knightly politics. There are plenty of goopily violent episodes as well, from jousts (“this time Lord Leo Tyrell aimed his point so expertly he ripped the Grey Lion’s helm cleanly off his head”) to medieval torture (“Egg…used the hat to fan away the flies. There were hundreds crawling on the dead men, and more drifting lazily through the still, hot air.”). Throughout, Martin delivers thoughtful foreshadowing of the themes and lineages that will populate his Ice and Fire series, in which Egg, it turns out, is much less fragile than he seems.

As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more—and with luck, Martin will oblige them with more of these early yarns.

Pub Date: Oct. 6, 2015

ISBN: 978-0-345-53348-7

Page Count: 368

Publisher: Bantam

Review Posted Online: Oct. 6, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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THE ALLOY OF LAW

Butch Cassidy territory—ignore the tumbleweeds and enjoy.

Sanderson returns to planet Scadrial (The Hero of Ages, 2008, etc.) where, 500 years later, the scenario is a fantasy Wild West where the largest city, Elendel, despite its unpredictable mists, boasts railroads, electric street lighting and nascent skyscrapers.

Though lesser beings than their godlike ancestors, certain citizens gain magic powers from an ability to metabolize metals. Waxillium Ladrian, a rare Twinborn, can both attract and repel metals using Allomancy and gain or lose bodily mass via Feruchemy. Having spent 20 years in the Roughs—Tombstone in the 1880s, with every day a bad day—expunging evildoers, Wax has learned that House Ladrian, complete with supercilious butler, is all but bankrupt thanks to a profligate uncle. Sadly he returns to Elendel to do his duty and marry a rich heiress. Lord Harms presents his rather too well-organized daughter Steris, who arrives for introductions complete with a 20-page pre-nuptial agreement. Accompanying father and daughter is penniless cousin Marasi, more intelligent and personable and vastly more attractive. Meanwhile, strange crimes are afoot: mysterious thieves, "Vanishers," have stolen consignments from railroad cars, raided parties and taken hostages. It’s eventually deduced that the hostages may be the Vanishers' real targets: all are descended from the same ancient family, and all have specific magic powers. And, at the first social event Wax attends with Lord Harms and the two girls, the Vanishers strike again. Sanderson's fresh ideas on the source and employment of magic are both arresting and original—just don't expect rigorously worked out plot details, memorable characters or narrative depth. Think brisk. Think fun.

Butch Cassidy territory—ignore the tumbleweeds and enjoy.

Pub Date: Nov. 1, 2011

ISBN: 978-0-7653-3042-0

Page Count: 336

Publisher: Tor

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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