A lively compendium of sex, drugs, and rock ’n’ roll.
An award-winning music journalist compiles a spirited celebration of rock stars.
Hepworth (Never a Dull Moment: 1971, the Year that Rock Exploded, 2016, etc.), media correspondent for the Guardian, laments the demise of the rock star, which occurred at the end of the last century, caused by “the rise of automated percussion, the domination of the committee approach to hit-making, the widespread adoption of choreography, and above all the mystique-destroying rise of the internet.” Rock stars exuded reckless glamour and defiant irreverence. Their predominant qualities included “swagger. Impudence. Sexual charisma,” and “damn-the-torpedoes self-belief.” Now, in the hip-hop generation of social media and streaming music, Hepworth finds no one worthy of the term “rock star,” which may puzzle some fans of Rihanna, Taylor Swift, or Justin Bieber. In 40 year-by-year chapters, the author profiles stars who gleamed in the music firmament from 1955 to 1994, focusing on one day in the performer’s life—sometimes a concert, recording session, or simply a mundane event—to spin out a minibiography. He appends each chapter with a list of 10 songs that were made, released, or became hits that year “in order to give a flavor of the time.” In 1955, for example, when Little Richard came out with his racy “Tutti Frutti,” Frank Sinatra was a hit with “In the Wee Small Hours,” and Lonnie Donegan, with “Rock Island Line.” Simon and Garfunkel, Elton John, and Led Zeppelin represented the range of popular taste in 1970. Rock fans will find the usual suspects, including Elvis Presley, each of the Beatles, Jerry Lee Lewis, Buddy Holly, Mick Jagger, Keith Moon, Jimi Hendrix, Ozzy Osbourne (whose substance abuse got him kicked out of Black Sabbath), Lou Reed, Bruce Springsteen, David Bowie, Michael Jackson, Prince, Axl Rose, and groups including the Rolling Stones, the Who, Duran Duran, and Fleetwood Mac. Janis Joplin and Madonna are among the few women who make it into this encyclopedic volume.
A lively compendium of sex, drugs, and rock ’n’ roll.Pub Date: Nov. 21, 2017
ISBN: 978-1-250-12412-8
Page Count: 320
Publisher: Henry Holt
Review Posted Online: Sept. 30, 2017
Kirkus Reviews Issue: Oct. 15, 2017
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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