An exciting, action-packed romp that hits a few bumps along the way.
A dangerous race is run with everything on the line in this gritty dystopian thrill ride.
Adam Stone has lived his whole life in the run-down town of Blackwater. He spends his time riding his byke, dreaming of local beauty Sadie Blood and a life in Sky-Base, the luxurious city in the clouds. The only way for Adam to get to Sky-Base is to win the Blackwater Trail, a brutal race that attracts the best of the best and the lowest of the low. When mysterious outsider Kane shows up out of nowhere, all hell breaks loose and Adam finds himself racing for vengeance with Kane and Sadie at his side. No one will hold up this book as a prime example of originality, but few will deny its ability to entertain. The novel's first third is its biggest weakness: over-the-top prose veers dangerously close to dystopian parody, and the worldbuilding is remarkably thin. The latter section, which details the long, winding race, is far superior, filled with action and suspense and cool character reveals. Through it all, readers stick with Adam, a character Hofmeyr smartly draws as just a kid who wants to get somewhere. It's a simple character type, but there's something to be said for relying on an old favorite. Less exciting is Sadie, who never rises above her stock character type of love interest/damsel in distress. By novel's end, readers will be very familiar with her curves but not remotely aware of her emotions.
An exciting, action-packed romp that hits a few bumps along the way. (Dystopian adventure. 12-16)Pub Date: July 14, 2015
ISBN: 978-0-385-74473-7
Page Count: 336
Publisher: Delacorte
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Returning fans, anyway, will pounce.
Houck kicks off a new story arc in the world of the Tiger’s Curse series with new tigers who live in a northerly setting.
The death of their widowed royal mother touches off a crisis in the Kievian Empire; neither Stacia nor Verusha Stepanov, 17-year-old sword-wielding twin sisters, wants to be named tsarina. But questions of succession get put on hold when a battle with a sorcerer inexplicably turns the two into nonspeaking Siberian tigers. Hints of a cure send them, along with a growing entourage of men to provide assistance (and, perforce, do all the talking), on a long trek. Though most of the cast sticks to genre type, Houck throws in a wild card in the form of hunky, inarticulate Nikolai, who joins the quest because he is enthralled by Verusha—and who also killed his whole family in an act of revenge. Occasional anachronistic dialogue (e.g., “Are you ready, ladies?”) disrupts the tale’s generally earnest tone, as do the clumsy attempts at banter. A third tiger, snarky and blind but conveniently able to see through others’ eyes, trots in late in the story. The events in this setup volume unfold with many a flashback and change in point of view and head toward no sort of resolution—only the cave-dwelling White Shaman of the Tundra’s advice that further journeys are in the offing. The central cast in this Russian-inspired fantasy world presents white; the Indigenous population includes nomadic reindeer herders.
Returning fans, anyway, will pounce. (Fantasy. 13-16)Pub Date: Sept. 10, 2024
ISBN: 9798212221696
Page Count: 350
Publisher: Blackstone
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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