by David Horn ; illustrated by Judit Tondora ‧ RELEASE DATE: March 28, 2023
A delightful animated tale among the stars.
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A young girl aboard a starship uses her skills to cover up a costly blunder in this third installment of Horn’s middle-grade SF series.
Nine-year-old math and science whiz Eudora Jenkins lives with her family and many others on the space fleet flagship Athena. The inhabitants of this vessel represent the 20 planets in the Planetary Republic. Eudora’s mother is from Pox and resembles an anthropomorphic gray wolf, and her dad, of Pow, looks like an octopus—neither of them much resembles their two adopted human daughters. Life in outer space can be fun but not when Eudora’s goody-two-shoes older sister Molly gets the lead in the school play. Eudora pulls a prank during a performance, which gets her in trouble and earns her a trip to the surprisingly comfy brig. Later, she craves a game of Woggle (a word-based game similar to Boggle); most people are too busy to play, but Eudora finally finds an opponent in Lt. Cmdr. Walter, Athena’s sole, very expensive, robot officer. After she repeatedly loses the game, she throws a fit and accidentally breaks Walter, who stops functioning entirely. To avoid trouble, she hooks Walter up to a “remote-control-person device” of her own design. With her human bestie Arnold providing Walter’s voice through a voice box, they manage to make the robot officer seem somewhat like his normal self as he traverses the flagship. But an unexpected threat from the Qlaxons, the Planetary Republic’s greatest enemies, complicates Eudora’s plan.
The young protagonist’s continuing misadventures make for an entertaining read. The author gives the story a life lesson as well: Eudora may be acting out, but she learns that talking about your feelings is better than suppressing them. The novel also promotes acceptance, as in the case of Arnold’s stepdad, Lt. Londo, a Qlaxon (whose lionlike appearance makes him impossible to miss); despite planet Qlaxonia’s bad reputation, Londo is unquestionably respected (“Arnold loves his cool Qlaxon dad. Except when they do math homework. Math is very important to Londo, and he can be tough about it”) and serves as the ship’s chief of security. The nonhuman cast includes individuals with appearances akin to familiar Earth animals, including an alligator and a bird. Tondora’s black-and-white artwork beautifully captures the diverse species aboard Athena. Facial expressions are especially remarkable, from Eudora’s exaggerated frown/eye-roll combo to the infectious smiles of so many characters. The 9-year-old’s first-person narrative is, perhaps unsurprisingly, mostly lighthearted. Eudora explains things clearly and concisely for younger readers, such as the basic rules of the game Woggle. Her antics provoke laughter as she and Arnold struggle to make certain Walter doesn’t look stiff and unnatural like a more traditional metallic robot. Unfortunately, the resolutions to both the Walter dilemma and the Qlaxon threat are overly tidy and unimaginative. But there’s plenty here for readers of all ages to enjoy, and they’ll surely savor another installment with this gleefully brash and brainy girl.
Pub Date: March 28, 2023
ISBN: N/A
Page Count: 93
Publisher: N/A
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: May 15, 2023
Review Program: Kirkus Indie
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by Dr. Seuss ; illustrated by Dr. Seuss ; introduction by Charles D. Cohen ‧ RELEASE DATE: Sept. 9, 2014
Fans both young and formerly young will be pleased—100 percent.
Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!
All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.
Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)Pub Date: Sept. 9, 2014
ISBN: 978-0-385-38298-4
Page Count: 56
Publisher: Random House
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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