by David Housewright ‧ RELEASE DATE: June 25, 2024
A tangled, low-stakes case that’s a perfect vehicle for its hero’s why-ask-me brand.
Unlicensed St. Paul investigator Rushmore McKenzie and his wife, pianist Nina Truhler, accept an invitation to cruise the St. Croix River aboard their friend Dave Deese’s boat. You’ll never guess what they find.
From the moment Nina spots him, it’s perfectly obvious that Black landscaper Earl “E.J.” Woods is dead. But the four companies with which he’s taken out life insurance policies refuse to pay his much younger white second wife, Elizabeth Woods, the full value of those policies because they maintain that his death was a suicide. Nothing daunted, as a way to get the insurance companies to back down, Elizabeth sues Brad Heggstad, owner of the marina where Woods kept his boat, for criminal negligence in failing to take adequate safety measures. There’s no evidence that E.J. killed himself, though there’s also no evidence that he didn’t, apart from the strong conviction of schoolteacher Nevaeh Woods, E.J.’s daughter by his first wife, that her father was murdered. Acting on her behalf, McKenzie begins asking questions. The responses range from a note slipped under his windshield wiper (“MIND YOUR OWN BUSINESS OR ELSE!”) to more circumspect pushback (“There’s a very thin line between what’s charming and what’s obnoxious, Mr. McKenzie”). Eventually even Nevaeh changes her mind and decides not to pursue the matter any further, leaving McKenzie swimming against the current on his own. By the time he links E.J. to hints of smuggling and money laundering, two more people will be dead, and nobody’s eager to return to the St. Croix River.
A tangled, low-stakes case that’s a perfect vehicle for its hero’s why-ask-me brand.Pub Date: June 25, 2024
ISBN: 9781250863607
Page Count: 320
Publisher: Minotaur
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Richard Osman ‧ RELEASE DATE: Sept. 22, 2020
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
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Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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