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ESCALA'S WISH

From the Tales of Valla series , Vol. 1

A classic quest narrative that lovers of fairy tales are likely to enjoy.

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In James’ fantasy novel, the disastrous consequences of a single kiss cause a faerie to lose almost everything.

Escala Winter wants to understand what it is to fall in love. She decides to kiss a mortal man, but when a wolf kills both that man and Escala’s best friend, Rihanna, the blame falls on Escala herself. She’s broken fey law, and her father, the ruler of the Court of Dreams, must judge her and decide her fate. Lord Rowan is torn between duty and love, while his wife, Morvena, plots the destruction of the stepdaughter who stands in the way of her own daughter Audrey’s ascendance. Rowan manages to save Escala’s life, but she’s banished from the court and forced to take on the body of an elf. She’s also condemned to live on the material plane unless she’s able to “remove the boulders from the True Cycle”—but what these boulders actually are remains a mystery: “It’s part of my sentence…I don’t know what it means.” Meanwhile, Morvena still wants the crown for herself and her daughter. She forms an alliance with Victor Graves and plans to kill both Escala and Rowan; Victor’s son, Jonathan, was the man Escala kissed, and Escala’s mother, Teresa, rejected Victor long ago. Escala, meanwhile, forges ahead on her quest and soon meets Harper and Roedyn, who initially believe her to be an elf but agree to assist her. They soon face direwolves and dragons alongside newfound friends Sticky and the Bard Wigfrith, who narrates the story. Later, it becomes clear that only Escala stands a chance of saving the Court of Dreams.

James’ novel is a high fantasy fable that draws from epic-quest myths and fairy tales to tell a story of redemption, duty, and love. Escala proves to be a compelling protagonist—the child of the ruler of the Court of Dreams and a mortal woman who left the Court, for fear that her daughter would never be accepted if she remained. The story’s dramatic stakes are established quite early on, as is the theme of Escala’s quest to understand the nature of love. The framing of the story, in which the Bard Wigfrith retells the tale for patrons at a tavern, adds a layer of narrative complexity that ameliorates some of the storytelling’s more didactic elements. It would have been intriguing if Wigfrith’s character development had a bit more depth, which might have made readers question the reliability of his narration. As it stands, however, the narrative is well paced throughout and evocative of many classic fantasy tales. The threat that Escala faces is also typical of a great many myths, and although a bit more could have been done to add nuance to the villains’ motives and to the lessons that Escala learns, the narrative arc is satisfying overall. Escala’s true quest is to learn to love and, by doing so, to aid the people who are most important to her.

A classic quest narrative that lovers of fairy tales are likely to enjoy.

Pub Date: Dec. 13, 2025

ISBN: 9798999979940

Page Count: 661

Publisher: N/A

Review Posted Online: Jan. 7, 2026

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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