by David LaRochelle ; illustrated by Joey Chou ‧ RELEASE DATE: April 12, 2016
Monstrous good fun to share with your own favorite beast.
Monster parents aren’t all that different from human ones.
Each digitally rendered spread portrays a different type of monster, but collectively, they tell the tale of a day spent together. A Godzilla-like child wakes the parent “with a monstrous roar,” and it’s nonstop action from then on: from catch and tag (skeletons) and tickle fights (Frankenstein’s monsters) to running and fishing (creatures from the black lagoon) and noise-making (ghosts—each with four eyes). “The secret hideout that we built / was awesome to behold. // My face turned red with laughter / from the silly jokes you told.” Two bigfoots grab a snack (much to two campers’ dismay), and a wolf parent with two cubs observe the rising moon (and a girl in a red cape). A mummy parent chases the child into bed, a colossal ape gives hugs (a real helicopter clutched in the child’s hand like a toy), and a vampire bat gently folds the child’s wings. The creepy and silly balance each other out, though readers will likely agree that being a human in this monster world might be precarious. Though the title indicates that this is a book about monster dads and their sons, nothing in the illustrations spells out gender, and the text, first person from the parent’s point of view, says “son” only once (and though that is a necessary word for the end rhyme, it could so easily be changed to “one”).
Monstrous good fun to share with your own favorite beast. (Picture book. 4-7)Pub Date: April 12, 2016
ISBN: 978-1-4521-2937-2
Page Count: 36
Publisher: Chronicle Books
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
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by David LaRochelle ; illustrated by Mike Wohnoutka
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 23, 2022
Chilling in the best ways.
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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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