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I WAS MADE FOR YOU

A cozy gift for Christmas—just like Cat.

A sentient but unwitting knitted cat, intended as a gift for a girl named Daisy, journeys through a snowy night seeking his purpose.

Cat immediately poses his existential question—“Why was I made?”—even as Mommy’s knitting him into being. “It’s a surprise.” She gift-wraps him, cautioning him against “peeping.” Christmas Eve revelry is followed by an unendurable quiet: Cat peeps. Spying the gift tag labeled “DAISY,” he says, “That’s not my name,” and commences querying everybody and everything he can. Darkness suggests, “Wait until morning,” but toddlerlike Cat, imperious and driven, simply can’t. The appealing, folkloric narrative, paired with appropriately folk-art–style illustrations, many with borders that evoke handicrafts, follows Cat until dawn as he questions door, steps, snow, rock, stars, wind, trees, and the sun. Their respective answers are poignant, thoughtful, even philosophical. The steps say Cat was made “To go places,” while the rock answers, “To be strong!” “But I’m soft and fluffy,” Cat says—hinting that, despite his questing curiosity, his raison d’être is likely a mundane one. Having caught a thread on a nail on his way out the door, Cat is literally unravelling. At dawn, he’s merely a long thread—but his dialogue with the sun produces the necessary revelation. Meanwhile, resourceful mother and daughter (ginger-haired and pink-skinned) follow the clues, with Mommy winding yarn into a ball as they go. Home again, “Daisy watched as Mommy made Cat good as new.”

A cozy gift for Christmas—just like Cat. (Picture book. 3-7)

Pub Date: Oct. 1, 2018

ISBN: 978-1-5415-3559-6

Page Count: 32

Publisher: Andersen Press USA

Review Posted Online: Aug. 13, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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