An ecology lesson, an inspiration for readers’ theater—or a compelling read all on its own.
Carving a pumpkin for Halloween is a beloved tradition, but all too soon, that gourd falls prey to a host of scary, gross and unbelievably fascinating creatures.
Leave it to Schwartz and Kuhn (What in the Wild: Mysteries of Nature Concealed and Revealed, 2010) to combine their considerable talents again to create a page-turning title on decomposition. The author boldly chooses to give voice to the various decomposers that visit old Jack. Readers hear from animals, mold, fungi, rot, bacteria and, periodically, from the pumpkin itself. The photographs zoom in for close-ups of the characters in this slightly horrific performance. Fuzzy Penicillium, slime mold and spore cases “that look like tiny red balloons” all gruesomely impress. Readers learn more than just how slugs, flies, worms and sow bugs feast on the former jack-o’-lantern. Time and weather play their parts, too. One seed waits as “the animals came, the molds grew, the pumpkin collapsed into a heap of goo….” When the spring rains come, it begins “pushing roots downward and stem upward. If all goes well, my flowers will form fruit.” A glossary follows, further describing the unfamiliar terms introduced in the text, and a page devoted to “Classroom Investigations” suggests ways to engage in the scientific method and conduct experiments with pumpkins.
An ecology lesson, an inspiration for readers’ theater—or a compelling read all on its own. (Nonfiction. 5-12)Pub Date: Aug. 13, 2013
ISBN: 978-1-939547-03-3
Page Count: 32
Publisher: Creston
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
In spite of the book’s flaws, dragons are very appealing, and tales for young audiences that model the scientific method are...
Zoey discovers that she can see magical creatures that might need her help.
That’s a good thing because her mother has been caring for the various beasts since childhood, but now she’s leaving on a business trip so the work will fall to Zoey. Most people (like Zoey’s father) can’t see the magical creatures, so Zoey, who appears in illustrations to be black, will have to experiment with their care by problem-solving using the scientific method to determine appropriate treatment and feeding. When a tiny, sick dragon shows up on her doorstep, she runs an experiment and determines that marshmallows appear to be the proper food. Unfortunately, she hadn’t done enough research beforehand to understand that although dragons might like marshmallows, they might not be the best food for a sick, fire-breathing baby. Although the incorporation of important STEM behaviors is a plus, the exposition is mildly clunky, with little character development and stilted dialogue. Many pages are dense with large-print text, related in Zoey’s not especially childlike voice. However, the inclusion in each chapter of a couple of attractive black-and-white illustrations of round-faced people and Zoey’s mischievous cat helps break up the narrative.
In spite of the book’s flaws, dragons are very appealing, and tales for young audiences that model the scientific method are nice to see. (Fantasy. 6-9)Pub Date: March 14, 2017
ISBN: 978-1-943147-08-3
Page Count: 96
Publisher: The Innovation Press
Review Posted Online: Dec. 18, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
A luminous call to think about what is and to envision what might be.
In U.S. Poet Laureate Limón’s debut picture book, soaring images and lyrics invite contemplation of life’s wonders—on Earth and perhaps, tantalizingly, elsewhere.
“O second moon,” writes Limón, “we, too, are made / of water, // of vast and beckoning seas.” In visual responses to a poem that will be carried by NASA’s Europa Clipper, a probe scheduled for launch in October 2024 and designed to check Jupiter’s ice-covered ocean moon for possible signs of life, Sís offers flowing glimpses of earthly birds and whales, of heavenly bodies lit with benevolent smiles, and a small light-skinned space traveler flying between worlds in a vessel held aloft by a giant book. Following the undulations of the poet’s cadence, falling raindrops give way to shimmering splashes, then to a climactic fiery vision reminiscent of Vincent van Gogh’s Starry Night before finishing with mirrored human figures made of stars. Visual images evocative of the tree of life presage what Límon writes in her afterword: that her poem is as much about “our own precious planet” as it is about what may lie in wait for us to discover on others. “We, too, are made of wonders, of great / and ordinary loves, // of small invisible worlds, // of a need to call out through the dark.”
A luminous call to think about what is and to envision what might be. (Picture book. 7-10)Pub Date: Oct. 1, 2024
ISBN: 9781324054009
Page Count: 32
Publisher: Norton Young Readers
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
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