The sleeper biography of this and recent years, Australian journalist Marr's book has more than amplitude and its subject's blessing (White actually got to read most of the book before his death in 1990) going for it: It is an unusually calm, unstraining, unjaded, and even curious work, fascinated with Patrick White but never fawning over or using him (he'd have been hard to use this way anyway) as an illustration of an artistic or psychological conclusion the biographer has come to. Like many of the best Nobel winners of recent decades, White- -who wrote some of the most extraordinary prose of the century—is more known by name than read. But rather than academically reintroducing us to White's great achievement, novel by novel, Marr wisely sticks to using the books as clues to White's life. It's a procedure that can mislead yet here doesn't—for White himself was never false, played no games with his life and art, made no toying distinctions or feints. Wealthy, homosexual, asthmatic, brutally candid, White looked to follow or start no circle; he was traumatically educated in England, served in the African campaign in WW II, and then—with his lover and companion of what would be 40-some years, the beautifully named Greek, Manoly Lascaris—he returned to a puritanical, philistine Australia to do his major work. His love/hate affair with Australia is the book's undertheme- -but it merely contributes to what is most unmistakable about White as seen by Marr: the incomparably high fidelity of the man— artistic, personal, social. Generous yet monastic by temperament, White struggled with doubt and pride in a refreshingly premodern way—all of which Marr captures. And as the best literary biography ought to do, this one sends us hungrily back to the novels—to see what they encompassed but also, too, to relish how the complexity of the author's own character boosted their art. Superb. (Thirty-pages of photographs.)
Pub Date: March 3, 1992
ISBN: 0-394-57435-4
Page Count: 736
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1992
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in...
Legendary performance artist Abramovic unveils her story in this highly anticipated memoir.
When she was growing up, the author lived in an environment of privilege in Yugoslavia, which was on the verge of ruin. Her parents, two fervent communist partisans and loyal officers during Josip Broz Tito’s rule, were not the warmest people. Abramovic was put under the care of several people, only to be taken in by her grandmother. “I felt displaced and I probably thought that if I walked, it meant I would have to go away again somewhere,” she writes. Ultimately, she carried this feeling of displacement throughout most, if not all, of her career. Many remember The Artist Is Present, her 2010 performance at the Museum of Modern Art in New York during which she sat in front of museumgoers for 736 hours, but her work started long before then. As a woman who almost single-handedly launched female performance art, the author has spent the better part of her life studying the different ways in which the body functions in time and space. She pushed herself to explore her body’s limits and her mind’s boundaries (“I [have] put myself in so much pain that I no longer [feel] any pain”). For example, she stood in front of a bow and arrow aimed at her heart with her romantic and performance partner of 12 years, Ulay. She was also one of the first people to walk along the Great Wall of China, a project she conceived when secluded in aboriginal Australia. While the author’s writing could use some polishing, the voice that seeps through the text is hypnotizing, and readers will have a hard time putting the book down and will seek out further information about her work.
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in anticipation of what she is concocting for her next tour de force.Pub Date: Oct. 25, 2016
ISBN: 978-1-101-90504-3
Page Count: 384
Publisher: Crown Archetype
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
An authentic and fresh extension of the author’s successful Web series.
Writer, producer and director Rae, famous for her popular Web series, "The Misadventures of Awkward Black Girl," channels her humor and attention to detail into this eponymous collection of personal essays about all the embarrassing moments that have made her who she is.
Sharp and able to laugh at herself, the author writes as if she's unabashedly telling friends a stream of cringeworthy stories about her life. Having grown up with the understanding that laughing at and talking about people was a form of entertainment and bonding, Rae continues the tradition by inviting readers into her inner circle and making her own foibles her primary focus. Almost 30, she opens up about nearly everything in her life, from her lifelong fear of being watched while eating in public to acutely awkward experiences with Internet dating and cybersex. The theme that race plays in this book is integral, although Rae's approach, as with all of her subjects, is decidedly humorous and lighthearted; she veers, always, toward a personal tone as opposed to one that's political or polemical. Her unwavering candidness, the sheer energy of her voice and the fact that she clearly finds herself to be terrific material make her a charismatic, if occasionally exasperating, narrator worth rooting for. Having been in a committed relationship for seven years, Rae unpacks how her Senegalese parents’ union contributed to her attitude (indifference) toward marriage. Some readers will find her proclamations and direct confessions offensive and be turned off; others may be offended but laugh out loud anyway. In Rae, her audience has landed on a singular voice with the verve and vivacity of uncorked champagne.
An authentic and fresh extension of the author’s successful Web series.Pub Date: Feb. 10, 2015
ISBN: 978-1476749051
Page Count: 210
Publisher: 37 Ink/Simon & Schuster
Review Posted Online: Dec. 20, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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