edited by David McCall Gordon ‧ RELEASE DATE: March 28, 1994
Only serious Poundians will want to delve into this selection from the poet's correspondence with his protÇgÇ and publisher, James Laughlin. As dense and difficult as Pound's poetry, his letters indulge his penchant for odd punctuation, excessive wordplay, intentional misspellings, and typographical high jinks. From almost three thousand items of correspondence between Pound and Laughlin, Gordon pieces together bits of nearly four hundred letters to form a somewhat cohesive narrative. But the going is tough, relieved only by the editor's prose and annotations. But even here, Gordon is given to Poundian eccentricity, leaving some things hopelessly obscure and elaborating on the ridiculously obvious. Laughlin's relations with Pound (1885-1972) begin in 1933, when the young Harvard student (1914-) seeks out his idol, and eventually studies with him informally in Italy at ``Ezruversity.'' Pound smartly steers the aspiring poet toward publishing—and thus was born New Directions, home to Pound as well as Pound's friends, whom Laughlin promoted with enthusiasm and generosity. Laughlin stuck with his mentor through the difficult war years, when Pound's cranky politics and anti-Semitism made him persona non grata in American literary circles. Laughlin never gives in to Pound's dumb social ideas, but he does mimic his goofy epistolary style. Among Pound's better puns and epithets are ``Bitch and Bugle'' for Hound and Horn, ``hippopoetess'' for Amy Lowell, and ``Nude Erections'' for New Directions. But repeated over and over, these tend to wear thin, much like Pound's non-literary opinions. The latest in a series of volumes of letters between Laughlin and his authors—others include Kenneth Rexroth, Delmore Schwartz, and William Carlos Williams—this is surely the most dizzying.
Pub Date: March 28, 1994
ISBN: 0-393-03540-9
Page Count: 288
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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