Lost and found and lost and returned—this teddy brings a lot of happiness and leaves sadness in its wake, but McPhail’s (Mud Is Cake, p. 425, etc.) tale turns on the perceptiveness and sensitivity of a young boy. That young lad had a teddy bear, his favorite toy of all, and he and the teddy lived in a warm and protective home (gorgeously drawn in hearty and touching watercolor and ink). The teddy is lost in a moment of forgetfulness and is found by a homeless man who tucks the bear away in his pocket. Gradually, the boy adjusts to not having his bear and gradually, the bear adjusts to his new circumstances. The man takes the bear everywhere, just like the boy once did. On a spring day, the man put the bear on a park bench while he did some scavenging nearby, and the boy and his parents happen past. The boy is exultant (his parents are nonplused), and he sweeps the bear up and walks away with him. Then he hears a mournful howl. It is the homeless man, a man who has lost his best friend. The boy returns to the man, aware of what has happened: “ ‘Is this your bear?’ the little boy asked. . . . ‘Thank you,’ he said to the little boy. ‘I don’t know what I’d do without him.’ ‘I know what you mean,’ said the little boy.’ ” Although this is a story about kindness, love, and compassion, it is also a worthy reminder that the down-and-out have feelings and needs just as keen as the reader’s. (Picture book. 3-7)
Pub Date: May 1, 2001
ISBN: 0-8050-6414-1
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
A steady paean to time’s passing and the pleasures found along the way.
A front-seat view of a school bus’s long and varied life.
Deftly invoking the anthropomorphized objects in books of old (as in the works of Virginia Lee Burton), Long introduces readers to a small town and the yellow bus that serves it. Using charcoal and graphite, the author/artist portrays a mostly black-and-white world; he relies on colorful acrylics to depict those who enter the bus (who's described with female pronouns), including children ferried to school. Time goes on, and the bus is repurposed to take the elderly around town. Later, she’s abandoned near an overpass but finds a new role sheltering unhoused people. Finally, she’s taken to a farm, where she becomes a playground for goats. With each iteration, we hear the sounds of her passengers, human and otherwise, and the repeated phrase “And they filled her with joy.” At long last a damming project leaves her underwater, but fish find a home in the bus and make her happy. A final view of the town displays a single wavery point of yellow visible beneath the water. Backmatter explains both Long’s inspiration and the model town he made as a visual aid. Though this is a tale of decay over time, the book’s gentle narration, fun sound effects, and empathy grant the old vehicle dignity in her deconstruction. Characters are diverse.
A steady paean to time’s passing and the pleasures found along the way. (Picture book. 3-6)Pub Date: June 25, 2024
ISBN: 9781250903136
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
PERSPECTIVES
Roller-coaster enthusiasts or not, children will eagerly join our intrepid hero on this entertaining ride.
The Pigeon is on an emotional—and physical—roller coaster.
Since learning about the existence of roller coasters, he’s become giddy with excitement. The Pigeon prepares mentally: He’ll need a ticket and “exemplary patience” to wait in line. He envisions zooming up and down and careening through dizzying turns and loops. Then, he imagines his emotions afterward: exhilaration, post-ride blues, pride at having accomplished such a feat, and enthusiasm at the prospect of riding again. (He’ll also feel dizzy and nauseous.) All this before the Pigeon ever sets claw on an actual coaster. So…will he really try it? Are roller coasters fun? When the moment comes, everything seems to go according to plan: waiting in line, settling into the little car, THEN—off he goes! Though the ride itself isn’t quite what the Pigeon expected, it will delight readers. Wearing his feelings on his wing and speaking directly to the audience in first person, the Pigeon describes realistic thoughts and emotions about waiting and guessing about the unknown—common childhood experiences. No sentiment is misplaced; kids will relate to Pigeon’s eagerness and apprehension. The ending falls somewhat flat, but the whole humorous point is that an underwhelming adventure can still be thrilling enough to warrant repeating. Willems’ trademark droll illustrations will have readers giggling. The roller-coaster attendant is light-skinned. (This book was reviewed digitally.)
Roller-coaster enthusiasts or not, children will eagerly join our intrepid hero on this entertaining ride. (Picture book. 3-6)Pub Date: Sept. 6, 2022
ISBN: 978-1-4549-4686-1
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
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