Standard zombie fare from Moody (Dog Blood, 2010), slowed down to a lifeless crawl.
When a fast-moving virus decimates the population, the few survivors struggle to make lives for themselves, even as some of the dead come back as mindless zombies.
The virus spread at an incredible speed, leaving almost everyone dead, seemingly in minutes. Those few unaffected by it were left with nothing but questions. What caused the virus? Did it spread worldwide? And what to do now that almost everyone is dead? In a smallish English city, a tiny group of survivors finds one another and holes up at a community center, but just when they’re starting to settle in, something mind-boggling happens—a large number of the dead slowly get up and start shuffling around. One survivor, Michael Collins, senses danger and decides that it is no longer safe in the city. He suggests that the group head for the relative safety that isolation in the country would provide. Most of the group decides to stay at the community center, but two others, Emma Mitchell and Carl Henshawe, join him, finally settling in at a remote farmhouse. They barricade themselves inside, mostly out of revulsion for the disgusting, but seemingly harmless, shuffling corpses. Before long, though, they notice a change, as the bodies seem to become increasingly aware of their surroundings, and more aggressive. Soon, isolated from a world that is mostly dead and surrounded by rotting, potentially dangerous corpses, the survivors begin to wonder whether there is any point in staying alive. The book trades the usual relentless drive of typical zombie horror for a slow, almost stately buildup. Unfortunately, the pace is far too slow, especially since the reader knows exactly where the story is going early on. Even though none of the characters utter the word “zombie” (which is odd, considering), it seems likely from the start that at some point the seemingly harmless re-animated corpses will turn on the survivors in relentless waves. The fact that it takes so long to get to the good stuff only makes the plot drag more.
Standard zombie fare from Moody (Dog Blood, 2010), slowed down to a lifeless crawl.Pub Date: Nov. 1, 2010
ISBN: 978-0-312-56998-3
Page Count: 320
Publisher: Dunne/St. Martin's
Review Posted Online: Sept. 27, 2010
Kirkus Reviews Issue: Oct. 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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