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AUTUMN: THE CITY

The series staggers on, but without adding anything new or interesting to the zombie genre.

In the second book in Moody’s Autumn series, a few dozen city dwellers try to survive after a mysterious plague wipes out almost everyone, then turns a third of the dead into shuffling zombies.

The first book in the series followed three survivors who fled the city to hole up in a farmhouse for a short time before it was overrun by the zombie horde. Two of the three—Michael and Emma—escaped, and the second book finds them living out of the back of a camper in the countryside. Meanwhile, survivors in a larger city gravitate in ones and twos toward a university complex where 40 or so other living folks are scratching out a meager existence. They are able to venture into the city for food and supplies for a time, but eventually, as the zombies become more aggressive and the crowd of shuffling dead outside the university swells to massive proportions, they realize they must take desperate steps to survive. Luckily, hope arrives in the form of Cooper, a soldier who has so far spent the zombie apocalypse holed up in an underground bunker with a few hundred other soldiers, and who thinks he may be able to find his way back. The first book in the series suffered mainly from the fact that anyone who had ever been exposed to the genre—so, essentially anyone reading the book—knew fairly early on that at some point the world was going to be full of relentless zombies, yet the story took too long to get there, without going anywhere particularly interesting in the meantime. Thankfully, the second installment corrects this problem by going full zombie early on. Unfortunately, there is an awful lot of zombie stuff out there, and Moody doesn’t really bring anything new. The author's Hater (Dog Blood, 2010, etc.) series, told from the point of view of his bloodthirsty, relentless and belligerent, but intelligent and aware Haters, is much better.

The series staggers on, but without adding anything new or interesting to the zombie genre.

Pub Date: Feb. 1, 2011

ISBN: 978-0-312-57000-2

Page Count: 352

Publisher: Dunne/St. Martin’s Griffin

Review Posted Online: Dec. 29, 2010

Kirkus Reviews Issue: Dec. 15, 2010

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MARTIAN

Sharp, funny and thrilling, with just the right amount of geekery.

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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.

One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.  

Sharp, funny and thrilling, with just the right amount of geekery.

Pub Date: Feb. 11, 2014

ISBN: 978-0-8041-3902-1

Page Count: 368

Publisher: Crown

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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