The prolific Morrell (Assumed Identity, 1993, etc.) produces another high-speed but hollow thriller. Reporter Matt Pittman, grief-stricken to the point of suicide over the death of his teenage son, pulls the gun from his mouth long enough to do his best friend and former boss, Burt Forsyth, one more favor: write the New York Chronicle's obituary section for nine days, until the paper is shut down. In hopes of reviving Pittman's interest in life, Forsyth assigns him to research a detailed obituary of Jonathan Millgate, one of five men whom D.C. insiders call ``the grand counselors.'' These wielders of great power and influence are never elected but always appointed. Although Millgate has suffered a heart attack, he's not dead yet- -but then he's taken away from the hospital in a private ambulance by suspicious figures who seem intent on rectifying that situation. Pittman's efforts to save Millgate's life get him accused of murder. On the run, everyone he approaches for help seems to get killed too, but the adrenaline of the chase—along with the presence of nurse Jill Warren, who joins him on the lam—finally gives him reason to live. Morrell has made a concerted effort to endow Pittman with psychological complexity, but all the other characters are less than stick figures. The story's ultimate stakes (Millgate was buying nuclear weapons from the former Soviet Union and selling them to South Korea) are so flimsily tied to the immediate plot (ferreting out the pedophile in the five counselors' closet) that there is hardly any suspense. The gimmick of having Pittman resort for help to criminals he's written about in the past is as weak as the premise that the forces of law and order are no help to him at all. Fairly gripping in portions, but this has all been done better before. (Author tour)
Pub Date: Sept. 20, 1994
ISBN: 0-446-51791-7
Page Count: 400
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a...
A brilliantly constructed first novel that untangles an intricate web of sexual and caste conflict in a vivid style reminiscent of Salman Rushdie's early work.
The major characters are Estha and Rahel, the fraternal twin son and daughter of a wealthy family living in the province of Kerala. The family's prosperity is derived from a pickle factory and rubber estate, and their prideful Anglophilia essentially estranges them from their country's drift toward Communism and their ``inferiors' '' hunger for independence and equality. The events of a crucial December day in 1969—including an accidental death that may have been no accident and the violent consequences that afflict an illicit couple who have broken "the Love Law''—are the moral and narrative center around which the episodes of the novel repeatedly circle. Shifting backward and forward in time with effortless grace, Roy fashions a compelling nexus of personalities that influence the twins' "eerie stealth'' and furtive interdependence. These include their beautiful and mysteriously remote mother Ammu; her battling "Mammachi'' (who runs the pickle factory) and "Pappachi'' (an insufficiently renowned entomologist); their Oxford-educated Marxist Uncle Chacko and their wily "grandaunt'' Baby Kochamma; and the volatile laborite "Untouchable'' Velutha, whose relationship with the twins' family will prove his undoing. Roy conveys their explosive commingling in a vigorous prose dominated by odd syntactical and verbal combinations and coinages (a bad dream experience during midday nap-time is an "aftermare'') reminiscent of Gerard Manly Hopkins's "sprung rhythm,'' incantatory repetitions, striking metaphors (Velutha is seen ``standing in the shade of the rubber trees with coins of sunshine dancing on his body'') and sensuous descriptive passages (``The sky was orange, and the coconut trees were sea anemones waving their tentacles, hoping to trap and eat an unsuspecting cloud'').
In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a novel, and a truly spectacular debut. (First serial to Granta)Pub Date: May 1, 1997
ISBN: 0-679-45731-3
Page Count: 368
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
An attention-getting writer (novels, Memento Mori. The Ballad of Peckham Rye, The Bachelors, and short stories, The Go-Away Bird) pursues her multi-personae interests, her concern with religion, and her refusal to allow the reader to be at one with her purpose. Here she disperses her story (a loose but provocative thing) over an extended — and interrupted — period (thirty years) during which Miss Brodie, (in her prime) holds young minds in thrall, at first in delight at the heady freedom she offers from the rigid, formal precepts of Edinburgh's Marcia Blaine (day) School, later in loyalty to her advanced sedition against the efforts to have her removed. Finally the girls grow up — and Monica, Rose, Eunice, Jenny, Mary, and Sandy, (particularly Sandy with her pig-like eyes) separate, and the "Brodie set" dissolves- with war, death, marriage, career, and conversion to Catholicism. But there still is a central focus — who among them betrayed Miss Brodie to the headmistress so that a long-desired dismissal was effective? In this less-than-a-novel, more-than-a-short story, there is the projection of a non-conformist teacher of the thirties, of a complex of personalties (which never becomes personal lives), and of issues which, floating, are never quite tangible. But Muriel Spark is sharp with her eyes and her ears and the craftiness of her craftsmanship is as precision-tooled as the finest of her driest etching. With the past record, the publisher's big push, and The New Yorker advance showing, this stands on its own.
Pub Date: Jan. 17, 1961
ISBN: 0061711292
Page Count: 200
Publisher: Lippincott
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Jan. 1, 1961
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