Like the Etruscan urns he seeks, Rick’s debut is well-proportioned and nicely crafted.
An American translator finds danger and excitement helping a Roman friend crack a ring of art thieves.
Although he grew up in Rome, his mother’s home, Rick Montoya has always felt more American than Italian. So Beppo Rinaldi, one of the few full-blooded Romans to attend the American Overseas School of Rome, thinks Rick would be the perfect guy to help him find out who’s stealing Etruscan burial urns from the graves around Volterra and smuggling them to discreet private collectors around the world. Rick came to Rome about six months ago from New Mexico, his father’s home, to work as a translator. Beppo, who works for the art squad of the Italian Ministry of Culture, wants Rick to pose as a buyer for a New Mexico art gallery looking for handcrafted items to supplement its stock of Navajo artifacts. Rick is happy to spend some time in the ancient Tuscan hill town. He quickly makes contact with the three suspects on Beppo’s list: gallery owner Antonio Landi, importer-exporter Rino Polpetto and private art dealer Donatella Minotti, a college friend of Rick’s girlfriend, Erica. A quick tour of the local museum led by curator Arnolfo Zerbino gives Rick enough background in Etruscan art to make his cover story credible. But his investigation quickly hits a snag when local police discover that Rick was the last person to see Landi’s employee Orlando Canopo before the unfortunate workman plunged to his death. Commissario Carlo Conti of the Volterra Police has little patience for the art squad and even less for Rick, who may have signed up for a more difficult lesson in Italian police culture than he bargained for.
Like the Etruscan urns he seeks, Rick’s debut is well-proportioned and nicely crafted.Pub Date: Sept. 3, 2013
ISBN: 978-1-4642-0190-5
Page Count: 250
Publisher: Poisoned Pen
Review Posted Online: Aug. 10, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)
Pub Date: Dec. 2, 1997
ISBN: 0-446-52259-7
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
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