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TAKING STOCK

An absorbing novel by a wise and graceful writer.

Awards & Accolades

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In Perlstein’s novel, a bereft man, after the death of his wife of 46 years, examines his life with an aim of becoming “another version” of himself.

Steve Goldman has had an undeniably successful life in many ways. He’s a former officer at a San Francisco bank who’s found time to indulge his passion for fiction writing over the years; he knows he’ll never be as talented as Bernard Malamud or Philip Roth, but he’s content with that. Now he’s a retired widower who’s feeling his own mortality. One day, he sits down at the kitchen table and creates a life ledger of sorts, focusing mostly on his relationships with lifelong friends and thinking about when he’s been a “mensch” and when he’s been a “schmuck.” His greatest touchstones are three people he’s known since they attended junior high in Queens—Arnie Lieberman, Jeffrey Shiffrin, and Gary Weisbrod—all of whom he considers blood brothers. They’ve stayed in touch, or at least their paths have occasionally crossed, over the decades. Toward the very end of the novel, Steve offers an account of how the four took a train trip up the California coast for old times’ sake. The trip was instigated by Jeffrey, who was dying. They were all successful in their careers—Jeffrey, a lawyer; Gary, a wildly popular artist and genius self-promoter; and Arnie, an advertising agency art director-turned-painter. Arnie never forgave Steve for jilting his sister, Joyce, so many years ago; also, Steve feels that Jeffrey treated him and his wife, Evelyn, badly in the settling of her late father’s estate. All these people, and others, find their place in Steve’s ledger.

Perlstein, like his protagonist, lives in San Francisco and is a prolific and successful writer in his own right. That he writes well is hardly surprising. Steve's voice is delightful: self-regarding, conversational, honest, and witty (“I was determined to hold my ground rather than be shoveled into it”). Steve is a man who, whenever he lets himself off the hook, immediately realizes it and backtracks. Early on, he takes a walk in Golden Gate Park to clear his head and finds a split-open suitcase in the bushes; from this find, he concocts a wonderful (and sad) domestic story, establishing his writing credentials. He tells many other stories along the way, such as that of his flamboyant Uncle Max, who crossed the mob and had secrets. An account of Gary’s art installation, which has a comeuppance along the lines of “The Emperor’s New Clothes,” is priceless—and it also happens to dovetail with when Steve met Evelyn. Through it all, a tortured Steve issues dicta such as “I found myself powerless to keep self-justification from duking it out with guilt.” Steve eventually realizes that his ledger may not be the salvation he’d hoped for, since life is much too messy and accounting is for CPAs. But all this reflection, all this revisiting, certainly helps him get through a very tough couple of days.

An absorbing novel by a wise and graceful writer.

Pub Date: April 5, 2024

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: April 14, 2024

Kirkus Reviews Issue: June 1, 2024

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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