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MOVIES AND MONEY

A riveting behind-the-scenes look at how American movies have achieved the kind of global supremacy best summed up in a 1995 Variety headline: “Earth to Hollywood—You Win!” Starting with cinema’s earliest days, when all that an entrepreneur needed to create a film company was “fifty dollars, a broad, and a camera,” Puttnam follows the money, tracing the evolution of the film business worldwide from a slipshod entertainment into an assembly-line industry. As a producer and former head of Columbia Pictures, he’s well suited to the complex task. However, as a European cinÇaste, he also has an axe to grind. He wants to show that the dominance of American film was not achieved purely through free-market competition—and his case is almost convincing. Puttnam argues that Hollywood’s command of world markets began as far back as WWI. The war put an end to most European productions, and gave American film, with “help and support from the worlds of both finance and politics,” a decisive opportunity to penetrate (and lock up) market after market. America also enjoyed the advantage of a huge domestic marketplace, which allowed films to recoup their enormous costs without having to travel (most European films could not turn a profit unless and until they were exported). Puttnam admires America’s mastery of distribution and marketing. He recognizes that Europeans have largely failed to commodify their films, persuaded that good movies will somehow manage to find an audience. While he believes that Europe can still make inroads against Hollywood, he seems more excited by the possibilities of multimedia. And he’s sure that Europe (Britain especially) has a fighting chance to gain significant market share. Stacked against this optimistic prediction, though, is nearly 100 years of canny, sharp-elbowed American capitalism. Two thumbs up for this invaluable history of Hollywood’s most powerful mover and shaker: money (16 pages b&w photos, not seen)

Pub Date: Oct. 29, 1998

ISBN: 0-679-44664-8

Page Count: 416

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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