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ANDREZJ OF HOLLYWOOD

A POSTMODERN EPIC IN EIGHT PARTS

A sprawling collage that, though lengthy and chatty, offers memorable characters.

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Schulze offers an epic, character-driven novel of love, Hollywood, and ambition that spans two decades.

In 2016, 21-year-old Jacob Andrezj is a cinema buff with a chest full of DVDs and the passion to talk about them. He studies screenwriting in Boston and has just returned stateside from study abroad in Florence, Italy, where he explored his sexuality. However, he finds the gay scene in New England, particularly during Pride Month, lacking—until he meets an older man named Stewie Hanz, who turns Jacob on to the music of the Pet Shop Boys and listens to his intense criticism of films such as Lawrence of Arabia. Meanwhile, out in California, Drew Lawrence is a 40-year-old filmmaker who, thanks to his frustrations and abuse of steroids and other drugs, is prone to destructive outbursts. When he’s not snorting cocaine, having sex with male go-go dancers, or cruising around in his Jeep (with a license plate that reads “JEEPGUY”), he’s wondering where his “magic” went, so he embarks on a quest to regain his artistry. A man known as Whale is a young intern for a famous movie producer who calls himself “the Professor,” who, despite his moniker, is hardly instructive. Whale, along with his fellow interns, is often humiliated whenever he interacts with his boss; for example, the Professor gave him his insulting nickname. To aggravate matters, Whale lives with a wealthy slacker named Alex Avery who gets his kicks from drugs and rewatching The Wolf of Wall Street (2013). It’s clear that the entertainment business isn’t what Whale bargained for.  

Some portions of Schulze’s novel are written as a screenplay, others are not, but the main narratives effectively interweave as the story goes on. The work is more than 800 pages long, and with that length come a range of styles and tapestry of tones, with physical connections that range from a relatively chaste kiss of two strangers to a drug-fueled Drew working his “coarse leathery hands” over a conquest in a bathroom. The page count also allows for intriguingly nuanced characters, and as the characters’ stories grow more complex, readers will find themselves consistently curious as to how the next scene will develop. Will Drew run himself ragged or find a path of reform? Will Jacob and Stewie make things work even when the latter reveals a secret? Schulze effectively paints Jacob as someone who desperately wants to join “the industry” even though his boss physically beats him. Many strange denizens of LA make their ways across the stage, as well. The many-layered narrative heavily focuses on dialogue, which makes for a slow pace. Jacob makes numerous digressions that add little to the story, explaining everything from Hogwarts to a T-shirt from Glee to how he picks what music to play in the car with his friends. (Even Stewie complains: “You say so many things!”) As a result, readers will find that speed is always a priority. A sprawling collage that, though lengthy and chatty, offers memorable characters.

Pub Date: June 12, 2023

ISBN: 9781737037859

Page Count: 822

Publisher: David Schulze Books

Review Posted Online: Dec. 27, 2023

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  • New York Times Bestseller

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE UNRAVELING OF JULIA

The mystery plot and the Italian idyl both play supporting roles in this fairy tale for grownups.

Scottoline’s latest links her great love of Italy with her long record of female-centered crime fiction.

Julia Pritzker has a presentiment that something terrible is around the corner, but she never imagines just how terrible: When her husband, Philadelphia attorney Mike Shallette, tries to protect her from a man who grabs her designer bag, he gets stabbed to death before her eyes. Julia’s grief becomes laced with guilt when she realizes that her daily horoscope had predicted a calamity she’s now convinced she could have prevented. The news from Italian attorney Massimiliano Lombardi that his late client has left her millions in cash and an estate worth nearly as much again doesn’t comfort her, but it does provide distraction—especially since she’s never heard of Emilia Rossi and has no idea why she’s been chosen as her heir. Since Julia, adopted at an early age by a couple who’ve been dead for years, wonders if Emilia might have been her biological grandmother, she travels to Chianti in hope of recovering some of Emilia’s DNA. Unfortunately, caretakers Anna Mattia Vesta and Piero Fano have burned all of Emilia’s clothing and personal items on her orders, so there’s nothing left to test. Growing convinced that the stars are directing her and that her history is rooted in Emilia’s decrepit house, Julia turns down repeated offers for the property and resolves to secure evidence confirming the relationship between Emilia and her. Now all she has to do is protect herself from the shadowy figures tracking and following her and recover from a series of vivid, hallucinatory nightmares that seem to be the cost of claiming her heritage.

The mystery plot and the Italian idyl both play supporting roles in this fairy tale for grownups.

Pub Date: July 15, 2025

ISBN: 9781538769997

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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