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THEFT BY FINDING

DIARIES (1977-2002)

A surprisingly poignant portrait of the artist as a young to middle-aged man.

Raw glimpses of the humorist’s personal life as he clambered from starving artist to household name.

For years, Sedaris (Let’s Explore Diabetes with Owls, 2013, etc.) has peppered his public readings with samples from his diaries, usually comic vignettes with a gently skewed view of humanity. Those are in abundance here. “Jews in concentration camps had shaved heads and tattoos,” he writes after learning about a Chicago skinhead’s arrest. “You’d think the anti-Semites would go for a different look.” Forced to trim his toenails with poultry shears for lack of clippers, he writes, “that is exactly why you don’t want people staying in your apartment when you’re not there, or even when you are, really.” The diaries also provide Ur-texts for some of the author’s most famous stories, like his stint as a Macy’s Christmas elf that led to his breakthrough radio piece, “The SantaLand Diaries,” or the short-tempered, chalk-throwing French teacher in Me Talk Pretty One Day (2000). But though the mood is usually light, the book is also a more serious look into his travails as an artist and person: Sedaris is candid about his early ambitions to succeed as a writer, his imposter syndrome as a teacher, his squabbles with his never-satisfied dad and mentally ill sister, Tiffany, and his alcoholism. Even that last challenge, though, is framed as comic, or at least the stuff of non sequitur: “Today I saw a one-armed dwarf carrying a skateboard. It’s been ninety days since I’ve had a drink.” While Sedaris’ career took flight during the period this book captures, success didn’t change him much; it just introduced him to a broader swath of the world to observe and satirize. He can hardly believe his good luck, so he’s charmed by the woman who, upon escorting him to a packed bookstore reading, exclaims, “goodness, they must be having a sale.”

A surprisingly poignant portrait of the artist as a young to middle-aged man.

Pub Date: May 30, 2017

ISBN: 978-0-316-15472-7

Page Count: 528

Publisher: Little, Brown

Review Posted Online: Feb. 5, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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