by David Skinner ‧ RELEASE DATE: June 24, 1992
A story within a story, both surpassingly weird. The larger story is told by Evelyn, 13, who spends her days caring for her baby brother and wandering the ``broken rooms'' of a huge abandoned house in an unspecified desert, visited with precise regularity by a violent monthly storm. (That a place where it rains torrentially for several days a month is called a desert is just one example of the arbitrary and illogical caprice that governs this surrealistic first novel.) Evelyn's mother fled here after her husband abandoned the family; quite mad, she spends her waking hours trying to fabricate a raincoat that will withstand the storm's fury. The embedded story is a manuscript, by Evelyn's father, about a boy who receives a mysterious letter saying that he must kiss a whale—or perhaps (the handwriting is ambiguous) that he must kill a whale. Somehow, Evelyn's discovery of this unfinished story helps her accept her father's departure and forgive her mother for being crazy and neglectful, and she decides to write her own more-or-less hopeful ending. Evelyn's mother gives up her obsession with the Ultimate Raincoat, and the family moves back to a place where the weather is normal. A How-I-Came- To-Terms-With-My-Parents-Even-Though-They-Let-Me- Down story that could use less symbolism and more sense. (Fiction. 11+)
Pub Date: June 24, 1992
ISBN: 0-671-74781-9
Page Count: 94
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1992
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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by Renée Watson & Ellen Hagan ‧ RELEASE DATE: Feb. 12, 2019
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
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by Renée Watson ; illustrated by Sherry Shine
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by Renée Watson ; illustrated by Bea Jackson
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