Charming Imogene is one of a kind, but the original is still the better work.
Imogene has many peculiarities, but she carries them with great aplomb.
She has a long history of growing, albeit temporarily, animal appendages. Her most famous animal accouterments were a huge rack of antlers and a lovely display of peacock feathers, as seen in Imogene’s Antlers (1985). She is a curious child, always eager to see what the day brings, perhaps more antlers or something new and different. When she wakes up with a giraffe’s long neck and horns, her family is “stupefied,” but she is delighted. In fact, she uses her new height to find her brother’s football and helps her neighbor’s kitten down from a tree. Another day she sports an elephant head and trunk, happily helping one of the servants water flowers. When she flies about on her butterfly wings, her mother reacts in anger and embarrassment to her daughter’s multiple transformations. Imogene relishes her uniqueness and uses it wisely and kindly. When Imogene returns to her normal self, everyone is ecstatic. But then something amazing and totally unexpected happens. Small has great fun resurrecting this iconic character. Sharp-eyed readers will notice toy animals that influence Imogene’s appearance. She and her family and neighbors present White and have a privileged status. Oddly, even though the cook and the kitchen maid have the same names as the White-appearing characters in the first book, here in at least one illustration they appear to be people of color, though the brownness of their skin varies from page to page—an unnecessary and off-putting change.
Charming Imogene is one of a kind, but the original is still the better work. (Picture book. 4-8)Pub Date: Sept. 15, 2020
ISBN: 978-0-593-12374-4
Page Count: 40
Publisher: Knopf
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
