Surreal and searing.
The latest from writer-artist Small is a triptych of short illustrated stories (two adaptations and one original) that explore the idea of lurking monsters.
In the first, adapted from Lincoln Michel’s short story “The Werewolf at Dusk,” an aging lycanthrope laments his lost vitality: The years have rendered his once-fearsome lupine form mangy, stooped, and medicated. The Small original, “A Walk in the Old City,” follows a psychotherapist lost and imperiled on strange, circuitous streets who recognizes his surroundings as nothing more than a dream but then must confront the identity of the dreamer—and a pack of dog-sized spiders. The final tale is based on Jean Ferry’s “Le Tigre Mondain,” in which a theatergoer in 1920s Berlin has his night of frivolity ruined by the surprise performance of a popular farce featuring a tiger behaving like a man, from wearing a suit to not eating a baby, with the salivating beast held in check only by the will of the nearby and increasingly exhausted Adolf Hitler. The collection is more adult picture book than graphic novel and is immensely enjoyable. Small’s linework is striking in its expressiveness and energy, figures and forms leaping across the page while eyes and lips simmer with emotion. Broad patches and layers of color imbue the illustrations with a gorgeous painterly quality. An introduction from Smalls connects the three stories thematically and challenges the reader to not fall victim to that most insidious of monsters lurking within so many of us: passivity. From the unceasing and enervating march of time to the uncertainty of our agency to the crass manipulation of the masses by the elite, Small convincingly makes the case that we are beset on all sides (especially inside) by monsters.
Surreal and searing.Pub Date: March 12, 2024
ISBN: 9781324092827
Page Count: 160
Publisher: Liveright/Norton
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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