A lifelong story of comedy and its brilliant careers, told by a consummate insider.
A half-century survey of the comedic landscape.
Steinberg has a gift not only for stand-up and improvisational comedy, but also for the rhythms and mores of show business more generally. Born in Winnipeg, the author left pre-rabbinical studies during his teens. While in college in Chicago, watching Lenny Bruce inspired him to invent his own brand of socially conscious stand-up, and he joined the famed Second City troupe alongside Joan Rivers, Alan Arkin, Mike Nichols, and Elaine May. Steinberg went on to a hugely successful comedy career that included 30 years of stand-up, 140 appearances on Johnny Carson’s Tonight Show, directing successful sitcoms (Seinfeld, Mad About You, etc.), and producing and hosting Inside Comedy, his series of one-on-one conversations with more than 75 comedians. Along the way, he got to know just about everybody of importance in the comedy world, many of whom appear in these pages. The author charts a throughline of comics from the Borscht Belt to the Ed Sullivan Show to the Tonight Show, highlighting the work of Milton Berle, Sid Caesar, Don Rickles, and countless others. As a writer on The Smothers Brothers Comedy Hour in the late 1960s, Steinberg saw how CBS censors tried to shut down political humor. Now, as an elder statesman of entertainment, he reflects on "more than a good life, a dream built on laughter." Because the author interviewed his roll call of comedians for the Inside Comedy series, parts of the book read like transcripts, but beyond all the name-dropping and off-color anecdotes is a real love for the craft and its giants. Via dozens of memories from the leading lights of comedy over the past 50-plus years, Steinberg effectively expresses his “reverence for and experiences with Groucho Marx and George Burns and their world, for stand-up comedy, comedians in clubs and on television, and those who excel at being both actors and comedians."
A lifelong story of comedy and its brilliant careers, told by a consummate insider.Pub Date: July 13, 2021
ISBN: 978-0-525-52057-3
Page Count: 352
Publisher: Knopf
Review Posted Online: May 11, 2021
Kirkus Reviews Issue: June 1, 2021
BOOK REVIEW
PERSPECTIVES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A conversational, pleasurable look into McConaughey’s life and thought.
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
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