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FORESTS OF THE NIGHT

Sherlock Holmes expert Davies (The Veiled Detective, 2004, etc.) effectively captures the London of a later era in this taut...

A fledgling private detective in wartime London tries to save a wary urchin while solving an unsavory case.

In 1939, an accident on the rifle range costs Johnny Hawke an eye and puts an abrupt end to his army career. With no prospects and a yearning for adventure, he opens Hawke Investigations. An intertwined first-person narrative follows a little boy named Peter as he runs away from his prostitute mother. Hawke takes him in, but the skittish boy empties Hawke’s wallet and takes off in the middle of the night. Their paths cross several more times through Hawke’s first big case, which he gets with the help of Scotland Yard pal David Llewellyn. The Palfreys, a colorless couple, want help finding their missing daughter, Pamela, who worked for solicitor Leo Epstein. Pictures show a plain and conservative young woman, but Epstein’s typist, Eve Kendal, remembers Pamela as a beautiful and provocatively dressed girl with heavy makeup. Epstein slept with her, and she used her sexuality to gain a foothold in the lowest rungs of the movie business, at Renown Pictures. When Pamela is found stabbed to death, suspicion falls on her boyfriend, Samuel Fraser, but Hawke finds likelier suspects when he digs deeper into the girl’s dangerous life.

Sherlock Holmes expert Davies (The Veiled Detective, 2004, etc.) effectively captures the London of a later era in this taut page-turner.

Pub Date: Jan. 11, 2007

ISBN: 0-312-36000-2

Page Count: 224

Publisher: Dunne/Minotaur

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2006

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THE REMAINS OF THE DAY

This novel has won high praise in England, and one can certainly respect the convincing voice and the carefully bleached...

An Artist of the Floating World featured Japanese characters; here, Ishiguro breaks new ground with a slow-moving rumination on the world of the English country-house butler.

For 35 years, Stevens was Lord Darlington's butler, giving faithful service. Now, in 1956, Darlington Hall has a new, American owner, and Stevens is taking a short break to drive to the West Country and visit Mrs. Benn, the housekeeper until she left the Hall to get married. The novel is predominantly flashbacks to the '20s and '30s, as Stevens evaluates his profession and concludes that "dignity" is the key to the best butlering; beyond that, a great butler devotes himself "to serving a great gentleman—and through the latter, to serving humanity." He considers he "came of age" as a butler in 1923, when he successfully oversaw an international conference while his father, also a butler, lay dying upstairs. A second key test came in 1936, when the housekeeper announced her engagement (and departure) during another major powwow. Each time, Stevens felt triumphant—his mask of professional composure never slipped. Yet two things become clear as Stevens drives West. Lord Darlington, as a leading appeaser of Hitler, is now an utterly discredited figure; far from "serving humanity," Stevens had misplaced his trust in an employer whose life was "a sad waste." As for the housekeeper, she had always loved Stevens, but failed to penetrate his formidable reserve; and at their eventual, climactic meeting, which confirms that it's too late for both of them, he acknowledges to himself that the feeling was mutual.

This novel has won high praise in England, and one can certainly respect the convincing voice and the carefully bleached prose; yet there is something doomed about Ishiguro's effort to enlist sympathy for such a self-censoring stuffed shirt, and in the end he can manage only a small measure of pathos for his disappointed servant.

Pub Date: Oct. 4, 1989

ISBN: 0679731725

Page Count: 260

Publisher: Knopf

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Sept. 15, 1989

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THE ONLY WOMAN IN THE ROOM

A captivating story of a complicated woman blazing new trails.

One of the most beautiful women ever to grace the silver screen, Hedy Lamarr also designed a secret weapon against Nazi Germany.

In her latest portrayal of a lesser-known woman scientist, Benedict (The Other Einstein, 2016, etc.) spins the tale of Lamarr, born Hedwig Kiesler, from her late teens in Austria through her success in Hollywood. Born to Jewish parents in a posh Vienna neighborhood, Hedy endures her mother’s criticism while following her father’s encouragement to pursue both science and acting. Although she finds early success with the risqué Ecstasy, the film’s nudity haunts her efforts to be taken seriously. Just as she achieves the respect of her peers as a stage actress, Hedy catches the eye of Fritz Mandl, a wealthy, charismatic older man who owns several munitions factories. Rumored to have mistreated his former mistresses and to be in league with the fascist (albeit anti-Nazi) Austrian Christian Social Party, Fritz determines to wine, dine, and wed Hedy. Once married, however, Hedy finds herself virtually imprisoned and often abused by her jealous husband. Yet Hedy proves invaluable to Fritz when she begins to gather secret information from their well-connected, politically ambitious house guests. After all, who would suspect such a beautiful woman of understanding military secrets? Yet as Germany and Italy begin to join forces against Austria, Hedy discovers just how mercenary Fritz can be. A daring escape leads Hedy to America, where she vows never to be under another man’s thumb. Once out of Fritz’s reach, Hedy not only returns to acting, but also embarks on a new career as an inventor. Remembering the sensitive information carelessly revealed at Vienna dinner parties, she develops a brilliant radio-communication device. But will the American Navy accept such a weapon from a woman?

A captivating story of a complicated woman blazing new trails.

Pub Date: Jan. 15, 2019

ISBN: 978-1-4926-6686-8

Page Count: 272

Publisher: Sourcebooks Landmark

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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