A refreshingly unique take on the eternal battle of good versus evil that amuses while it philosophizes.
In Isaak’s fantasy novel, an unsuspecting man discovers the role he was born to play in defeating the forces of darkness on the battlefield known as Earth.
The year is 1969, and Crystal Keeling finds herself in Manhattan at the end of a six-month-long hitchhiking trip. The adventurous young woman dips her toes in a cult known as the Children of Pan, where Crystal was “asked if she’d be willing to play a lead role in The Children’s fertility rites…and when she discovered it involved no more than a little friendly semipublic sex, she was happy to oblige.” After a disappointing non-orgy with the cult’s goat-masked leader, Crystal wanders off to her next adventure. Cut to 35 years later, and Crystal’s adult son Arby is the result of that brief liaison. Living in Saudi Arabia at the time, Arby takes a flight home at his mother’s request. Then he meets Elaina, a blind woman who turns out to be not exactly mortal. Instead, she and Arby are dragged into an epic battle between the forces of light and darkness. Their main adversary is “an entity who lived in both worlds, the etheric and the physical,” who goes by the name of von Fleischer (aka: The Flayer). It turns out that the Children of Pan had been on to something, and Arby soon discovers powers he never knew existed. After Crystal is kidnapped, Arby must reconnect with his previous lives in order to cross “the bridge” into the Inner Planes—a process that he may never be able to find his way back from: “Constriction and form will have to contend with infinite space, and you will have to find a path between the two.” Only then does Arby have a chance at defeating von Fleischer and the darkness he brings once and for all.
Sex with a goat-masked cult leader might be considered a risky way to start a novel, but Isaak pulls it off by blending some absurdly humorous observations (such as one about unplanned pregnancies) with plenty of action and a shrewd eye for philosophy and religion: “It’s an ecosystem. There are entities who feed exclusively on love, entities who feed exclusively on war, even rarefied entities who feed on intellectual excitement. There are others with more catholic tastes, feeding on an array of emotions. Any of them, of course, thrive on worship, for these entities, when encountered by humans, are called gods.” Arby’s journey from ordinary man to bona fide Hero with a capital H is one that forces him to consider the inner workings of both the universe and himself. Naturalistic dialogue provides an easy way to bandy about various philosophical ideas, including the existence of past lives and our ability to shape our past, present, and future. And every time readers think they know where the plot might be going, Isaak tends to take a hard left to set off on new courses that will intrigue even as they baffle. A truly shocking outcome and the promise of a new beginning all make for an ending that, upon further reflection, perfectly fits a novel of this sort—one that constantly keeps readers on their toes.
A refreshingly unique take on the eternal battle of good versus evil that amuses while it philosophizes.Pub Date: May 14, 2024
ISBN: N/A
Page Count: 398
Publisher: Utamatzi Inc.
Review Posted Online: Feb. 12, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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