LIFE IN THE DAMN TROPICS

Name: LIFE IN THE DAMN TROPICS
Author: David Unger
ISBN: 0-8156-0737-7

by David Unger ‧ RELEASE DATE: April 1, 2001

With echoes of Mordecai Richler’s antiheroic tales of urban Jewish life, Unger's downbeat exploration suggests that though...

bookshelf

Despairing debut about the Jewish experience in 20th-century Central America that, though enlivened by innocent eroticism and comic absurdity, finds little to love in a sunny fool’s paradise.

At 53, Marcos Eltaleph has it made: a member of one of 1980s Guatemala’s wealthiest Jewish dynasties, he has so far avoided marriage, responsibility, serious illness, embarrassing business failures, or mediocre success. His brothers, especially Aaron, have become big men in the Jewish community, heading a business empire based on retail, paper products, and import-export. They have luxurious houses, their kids attend US schools, and Eltaleph weddings and bar mitzvahs are social events. Whenever the family brushes up against power-mad colonels or corrupt politicians, they seem to be spared the Nazi torments their father escaped by fleeing Hitler’s Germany. So, instead of disappearing into a dank jail when Aaron doesn’t pay a bribe, Marcos finds himself imprisoned in a hospital, where his attempt to enjoy the sexual favors of a nurse are interrupted by his girlfriend Esperanza, a sexy Colombian half his age whom he met on a cruise ship and is afraid to marry. Mysteriously sprung from his hospital, Marcos eventually proposes to Esperanza, who wants nothing but her own nightclub—but Marcos is suspicious of Rafael Mendoza, a “retired” colonel who offers to rent the couple his own failed nightclub. Suddenly the Etaleph family department store is bombed. Are Communist rebels to blame, or did Aaron fail to pay off the right people? As Aaron assures his brother that Jews really can make a homeland in paradise, Marcos learns that, as a Jew, he must count his blessing before they turn sour.

With echoes of Mordecai Richler’s antiheroic tales of urban Jewish life, Unger's downbeat exploration suggests that though success at the price of collaboration with evil is no success, when you meet the love of your life, you might as well live.

Pub Date: April 1, 2001

ISBN: 0-8156-0737-7

Page Count: 240

Publisher: Syracuse Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

Categories:

LITERARY FICTION

bookshelf

HAUNTING PARIS

by Mamta Chaudhry ‧ RELEASE DATE: June 18, 2019

A curious fusion of the predictable and the unconventional which, given the appetite for Paris, love, and wartime tragedy,...

bookshelf

While a timid French music teacher grieves the death of her partner, outside, on the streets of Paris, his ghost lingers, lending historical context and soulful musings to a story of unresolved anguish and late love.

Chaudhry’s elegant debut rests on an unusual and risky premise: It is narrated in part by a soul in limbo. Julien Dalsace has died before the story opens, and his old-fashioned voice sets the scene: “The scent of lilacs on the breeze stirs dormant phantoms to life, but music is sorcery more potent.” We are in Paris in the year of the bicentennial, 1989, observing, like Julien, the struggles of his surviving partner, Sylvie, to cope with her loss. Julien, although spectral, is the novel’s lynchpin. The romance between him—an older, upper-class, married Jewish psychologist—and the quiveringly sensitive piano teacher is the beating heart of the story. But there’s another thread, taking the reader back to 1942, when the Jews of Paris were rounded up and deported, including Julien’s sister, Clara, and her twin daughters. Julien never forgave himself for his absence in London during World War II and his failure to save Clara, but a secret folder that emerges after his death offers Sylvie the opportunity to conclude his quest to discover the fate of Clara’s girls. Julien’s curious perspective—on history, on other ghosts, on the beauty but complexity of France generally and the Île Saint-Louis, his corner of Paris, in particular—is the novel’s most original aspect. Elsewhere, while Chaudhry brings a kind of reverent seriousness to events both past and present, her approach is more familiar. Characters are often simple, like the kindly Jewish baker, the protective (but kindly) concierge, the sympathetic American lodgers, and even Sylvie’s anthropomorphized terrier, Coco. And resolutions, even sad ones, arrive with coincidence and ease.

A curious fusion of the predictable and the unconventional which, given the appetite for Paris, love, and wartime tragedy, might well touch a popular nerve.

Pub Date: June 18, 2019

ISBN: 978-0-385-54460-3

Page Count: 288

Publisher: Nan A. Talese

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

Categories:

LITERARY FICTION | HISTORICAL FICTION

bookshelf

INDELICACY

by Amina Cain ‧ RELEASE DATE: Feb. 11, 2020

A short, elegant tale about female desire and societal expectations.

bookshelf

An aspiring writer finds a way to live the life she’s always wanted.

In A Room of One’s Own, Virginia Woolf wrote that “a woman must have money and a room of her own if she is to write fiction”—and that sentiment echoes through Cain’s (Creature, 2013, etc.) debut novel. The protagonist, Vitória, a young and bright museum cleaning woman, spends her days dreaming about writing. In the moments between scrubbing toilets and floors, she writes descriptions of paintings and notices the world around her. Soon she is plucked from her life by a rich husband and placed into another. Her new life is complete with a large house, a personal study, and a maid, who serves as a constant reminder of her own upward social mobility. Despite her good fortune, Vitória is unhappy. At one point, Vitória wonders about her good luck and how she was “saved” from a wholly different life. She writes about a glue factory where women work and horses are sacrificed: “We should memorialize the horses, remember them truthfully, and the women who have to spend their days in that way....I have benefited from a woman who never stops working, walking back from the factory in the morning and the night.” She recognizes the sacrifices women make and, more importantly, the ones she no longer has to make. Deeply rooted in the literary tradition, the novel inconspicuously references works like Jean Rhys’ Wide Sargasso Sea and Octavia Butler’s Kindred and explores themes like class and gender. With its short, spare sentences, Cain’s writing seems simple on the surface—but it is deeply observant of the human condition, female friendships, and art.

A short, elegant tale about female desire and societal expectations.