A soulful meditation on struggle, hope, and healing.
A traveling musician discovers a child alone in a motel room in Berner’s novella.
Austen is driving to California with his guitar in tow after a breakup, hoping to make his music dreams come true. Austen is staying at a Missouri motel when, after midnight, he hears soft cries from an adjacent room. When the cries escalate to desperate wails, and Austen’s calls to the motel office go unanswered, he investigates. With a knock, the door swings open, revealing a young girl strapped in a car seat. Softly singing “Here Comes the Sun,” Austen gathers the child in his arms and rocks her. When Taylor, the girl’s drug-addicted mother returns to the room, she’s coming down from a pill-high after her attempt to get clean was derailed by shady dealers. Taylor is furious to find a stranger with her daughter (whose name is Grace), but soon realizes she’s been well cared for. Worried about Taylor’s plan to drive in her current state, Austen suggests Taylor and Grace travel with him instead, setting a strange but healing road trip in motion. As Taylor fights the urge to score pills, they visit the Trail of Tears, eat at a roadside taqueria, and sleep under the stars in New Mexico. Along the way, Austen and Taylor share personal details that allow for a deeper understanding of themselves and each other. “We go through life half-asleep,” Taylor muses. “We go from one pleasure or amusement to another over and over again just to stay sane.” Reflections on Indigenous history, war, and school shootings contrast with simple moments like eating ice cream, visiting a gem shop, and Taylor lovingly tending to Grace. Berner’s characters are drawn with humanity, and he explores timely themes with heart, though his tendency to disclose backstory and historical details in an expository, somewhat detached fashion creates a feeling of distance. Still, the hard-won lessons woven throughout will resonate with readers who enjoy an introspective story.
A soulful meditation on struggle, hope, and healing.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Nov. 29, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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